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Having re-read the previous responses, I will say this: The Kemper is an amazing piece of gear - I will be testing it severely during the next two weeks. I frankly don't care what the fanbois think, nor the hopeless critiques - I just want to see what it can do tonally.
Armin - That seems to be the beauty of the process. We can use any additional tone shaping while profiling and it becomes part of the profile, including pre-eqRegarding fizz, I have always felt most guitar amps sounded too fizzy for distortion until the master volume was cranked high (unless additional processing was involved). Ironically, I haven't been able to get serious with my KPA yet because it arrived during our concerts in Hawaii, and as soon as I got home I had to build many of 'the boxes that must remain unnamed'
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Armin - That seems to be the beauty of the process. We can use any additional tone shaping while profiling and it becomes part of the profile, including pre-eqRegarding fizz, I have always felt most guitar amps sounded too fizzy for distortion until the master volume was cranked high (unless additional processing was involved). Ironically, I haven't been able to get serious with my KPA yet because it arrived during our concerts in Hawaii, and as soon as I got home I had to build many of 'the boxes that must remain unnamed'
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So do you use one of those Harmonic Convergers with your Axe-Fx racks? I thought the Harmonic Converger was done by now, that was the old PodXT days but it sounds like many fully grown men are still using them.
I prefer my AFXs with the 'box that shall remain unnamed', but have never felt I couldn't get great tones without it - I just find it makes my programming job easier. The 'box that remaineth unnamed' was created for people like myself who actually *break out in hives* at the onset of fizz! 
Armin - That seems to be the beauty of the process. We can use any additional tone shaping while profiling and it becomes part of the profile, including pre-eqRegarding fizz, I have always felt most guitar amps sounded too fizzy for distortion until the master volume was cranked high (unless additional processing was involved). Ironically, I haven't been able to get serious with my KPA yet because it arrived during our concerts in Hawaii, and as soon as I got home I had to build many of 'the boxes that must remain unnamed'
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So do you use one of those Harmonic Convergers with your Axe-Fx racks? I thought the Harmonic Converger was done by now, that was the old PodXT days but it sounds like many fully grown men are still using them.
LOL!I prefer my AFXs with the 'box that shall remain unnamed', but have never felt I couldn't get great tones without it - I just find it makes my programming job easier. The 'box that remaineth unnamed' was created for people like myself who actually *break out in hives* at the onset of fizz!
Regarding the KPA, I probably should have said the *profiles* I have tried sound fizzy (haven't tried that many yet).
Did my first serious tweaking of the KPA today, and it was pretty easy to make it go in my preferred sonic direction
Gotta wait for the wife to run errands before I can do any serious profiling however - too much noise!