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+1,000,0000 Absolutely.I really don't see what the problem is here. If Radley thinks that this is a real problem then let him post. I don't get the idea that on any forum that a post that the majority of people don't like, that everyone has to wade in and trash the thread. It sounds to me that Radley is trying to improve the product, why not try and keep the forum positive i.e. if you don't have anything to add to a thread then don't post in it? Just my £0.02.
Spence
This thread is a chance for me and *anyone else* including Mr. Kemper, to speak their mind concerning the KPA. The idea here is not to simply complain, but to offer helpful suggestions to improve the product for everyone:
I will start with this observation: I believe the KPA is a very innovative product, with vast potential - for this reason it *will* be copied (the highest form of flattery), and it is important for the originators to stay ahead of the game.
My main issue with the KPA is not it's EQ matching abilities (they are excellent), nor it's current effects arsenal (they are limited, but adequate), nor it's Cab matching capabilities, but rather the basic nature/character of the main 'distortion engine' that is used to build all the different distortion and gain models when profiling. It simply doesn't sound/respond tubey enough - to my ears, it sounds/feels somewhere between a digital simulation and solid state, especially on the transients and attacks. There is a certain 'crackle and sputter' graininess that gives it away for me - I realize that the EQ & Cab matching is enough for many users, but I believe the *nature* of the distortion must become more analog/tubelike for the final result to be totally convincing. At $1800 US, this is certainly not a typical consumer item - it is one of the 'Mercedes in the world of Chevy' modelers - this means it must perform well enough for serious pros, along with everyone else. EQ matching alone is not enough in the recording studio - all the qualities must be there, or they start wheeling out the tube amps.... *DISTORTION Matching* is the weak link of the KPA (and many other modelers as well). IMHO, the KPA engine has not fully captured the essence of quality tube distortion in all it's glory and complexity....
And what say You?![]()
Hey JEL - you're not Gellin' with me bro...Guys ....the issues to me are not his comments about Kemper - but the fact this thread was started by a Fractal artist!
Seems very "troll-ish" that a person listed on Fractal's artist page is the same guy starting a thread about his personal shortcomings with the Kemper.
Just because he purchased a unit, doesn't change the fact he is on Fractal company website as an artist.
http://www.fractalaudio.com/artists.php
Hadley Hockensmith
L.A. Studio Guitarist, Neil Diamond Band
"I love my Axe-FX… So much fidelity, amp goodness & processing power under one roof. The ‘sonic bar’ has been totally recalibrated by Fractal Audio!"
Very uncool in my opinion - and I hope this thread dies soon.
Stay frosty,
JEL
I seriously doubt that a Kemper artist (when that time comes) will be allowed to post a similar thread on the Fractal website about their issues with the Axe Fx. Never going to happen, nor should it here.
Speaking of excess, I believe you have made the above point very clear in a number of threads now. I don't understand why you assume I have ulterior motives for purchasing & investing so much time with the KPA. I also spoke very honestly on the Fractal board when I first received my Ultra, and was also accused of 'stirring the pot' and being a troll!
My normal mode is to clearly speak my mind about things, but I do not post to simply 'stir the pot' here or anywhere else, and that's why I again request that any posts of mine deemed offensive 'be *DELETED*, and I will deal with any future issues 'amongst myself'