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1) LOG: There are producer versions of their albums (do have it of Wrath)If you deliver the DI-tracks and the source riff, sure![]()
This post has been edited 1 times, last edit by "WolleK" (May 24th 2012, 9:56pm)
1) LOG: There are producer versions of their albums (do have it of Wrath)If you deliver the DI-tracks and the source riff, sure![]()
2) Periphery: Didn´t they upload a DI- Version of Icarus lives in context of the remix contest (Icarus lives EP)?
found also an example
http://www.youtube.com/watch?v=01ihTR-nSaQ&feature=relmfu
As soon as anyone sends me a link with a clean DI-Track and the original distorted part I can make a profile within minutes. You need to deliver a clean DI track though - and not a track with distorted guitars. I had to sit down and learn the main riff from My Curse / Killswitch for my last profile which wasn't a big deal but without a clean DI track you don't get very close to the original. Once this track has been recorded I can send it through my rectifier, record it with a mic and analyze it with Ozone. After this I turn on the matchmaking function in Ozone and make a LOG profile which sounds awesome =)
Yeah, they do. But for the process of tone matchmaking you don't need the original amp to match the sound of the sourceAs soon as anyone sends me a link with a clean DI-Track and the original distorted part I can make a profile within minutes. You need to deliver a clean DI track though - and not a track with distorted guitars. I had to sit down and learn the main riff from My Curse / Killswitch for my last profile which wasn't a big deal but without a clean DI track you don't get very close to the original. Once this track has been recorded I can send it through my rectifier, record it with a mic and analyze it with Ozone. After this I turn on the matchmaking function in Ozone and make a LOG profile which sounds awesome =)
I thought LOG uses Mesa Mark amps?
That´s the whole idea. As long as the gain structure nearly fits you can use nearly any source amp tone to match to any destination you want. To combine the tonematching with the strength of the KPA (dynamics and cleanup with volume pot) i would use a good tube amp for the source. So the whole idea of using profiles of a similar amp and to eq match it further will not give you closer results.Yeah, they do. But for the process of tone matchmaking you don't need the original amp to match the sound of the sourceAs soon as anyone sends me a link with a clean DI-Track and the original distorted part I can make a profile within minutes. You need to deliver a clean DI track though - and not a track with distorted guitars. I had to sit down and learn the main riff from My Curse / Killswitch for my last profile which wasn't a big deal but without a clean DI track you don't get very close to the original. Once this track has been recorded I can send it through my rectifier, record it with a mic and analyze it with Ozone. After this I turn on the matchmaking function in Ozone and make a LOG profile which sounds awesome =)
I thought LOG uses Mesa Mark amps?![]()