For playing live, you want to attenuate your reverb across all rigs/patches at once in order to compensate against the rooms natural sound. But then turn that back up when you get back home.
Global Reverb mix multiplier
-
How about locking a wet reverb at home or an attenuated reverb live?
-
I actually think this is a good idea - locking is not the same. For instance, I may want a different reverb on my rhythm tones vs. lead. Locking makes me choose one vs the other for the whole gig.
The other option is to make a couple variations of ALL your live patches with the reverb reduced (or added) to various degrees. I'd save each as a backup, then figure out which worked best during sound check and load that one. All that work could be avoided with a global multiplier.
-
Ok guys, I'm convinced.
+1. -
+1 for this feature
-
A good idea. Had something like this on my old GT-8, makes great sense to have a global control like this. We could fit it in the output settings.
-
I like this idea
-
I'd probably not use it, but I see how it can be useful for many
-
I would find something like this most useful.
In a typical gig with about 30 songs, I often want to adjust reverb/delay globally. This of course can be done by locking them so that any adjustment affects all the rigs I use in that gig….probably about 10 or so.
However there are 2 or 3 songs where I absolutely want the reverb and delay to be what is set in the stored rig….eg for surf tunes. So I would have to unlock them before I selected the surf rigs. Once I want to go back, I have to reset rev'del to where they were before and lock them again. Quite a cumbersome process….unless someone knows a better way! -
Oh, makes perfectly sense
-
like that idea!
-
+111
-
+1 This would be a very helpful option
-
A gate inclued into the reverb would be great too.
It works only on the wet part..
and possibly with a global gate reverb parameter. -
Just getting familiar with artist mode and I noticed the reverb mix parameter. I believe this would allow us to tailor our reverb across multiple profiles for different venues. By default, it's set to 50%, which seems to indicate the standard setting, with options for raising or lowering reverb across profiles.
Looks like a great addition that's already made it past the drawing board.
-
Yes!! So happy for this. I love that this company keeps improving an already excellent design based on user feedback. In the 4 months or so I've had mine, 75% of the things I have found to be lacking have already been addressed. It is literally nearly 100% perfect to me
-
on this topic, I think a global version of the noise gate at the input stage would be a welcome addition too, for the same reason...different room, different volumes etc
-
on this topic, I think a global version of the noise gate at the input stage would be a welcome addition too, for the same reason...different room, different volumes etc
Noise gate can be set to global. Just lock it and it will apply over all profiles.
-
So can reverb. That is not what I meant. You said you had a GT8? If it's anything like my old GT5, there was also a global noise gate, that worked the same as the global reverb. It was very handy indeed
-
It did and I used it, but on the other hand, the noise gate on the Kemper works much better and in a different way than the GT-8. I can't imagine how a global parameter would improve things in that respect. Any situations you think it would come in handy?
