Need advices on tremolo bridge adjustment!

  • I have a custom super strat with a classic two post tremolo bridge. I would like to have the smoothest easiest tension and feel as possible so what is the rule?


    Less stiff springs or more soft springs? Because if I put soft springs I will have to tense them more so at the end what is the difference?


    Thanks for your inputs!

  • How much springs are in there? If three, try two. Try different positions too, like: | | or \ /
    But I think that the tension is not only related to the springs. It has something to do with string gauge and scale length too (and who knows what else).

    I could have farted and it would have sounded good! (Brian Johnson)

  • I had three springs and tried to keep only two in paralell and it's a lot better. I don't have real problems to stay in tune but I'm looking for the easiest and smoothest feel. The trem is a Hipshot so not bad at all.


    I'll check the video for sure! :)


    Thanks guys!

  • theres a video from carl verheyen
    how to setup a regular Strat Trem, this works like charm and stays in tune
    the only way i got a Trem tow work as it should
    try it


    Thanks digbob! This video is a must see for everyones! It's sooo easy and it works perfectly. I use only two springs and it's amazing! Exactly what I was looking for! :thumbup:

  • here

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  • here

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    Awesome, thanks!

  • Guys, I can't get this Verheyen thing to work on my Music Man Luke II, which has a vintage vibrato as well. I can get the G-string exactly a minor third up to A# when bending upwards, but then C# and F on the B- and e-string are way too sharp. Or I can get exactly the F on the e-string, but then C# and A# on B- and G-string are flat. I've tried a lot for about two hours yesterday, including springs in different positions, but I'm running out of ideas now...


    Any suggestions?

    I could have farted and it would have sounded good! (Brian Johnson)

  • While it works perfectly well on my Strat and my super Strat (both with two posts trem) it doesn't work as well on my PRS which already has a very good tremollo system that seems to work better set paralell to the top of the body. Musicman guitars are probably in a similar boat.

  • Two posts? Does that mean the bridge is fixed with two screws? If yes, the Luke's bridge is fixed with two screws as well.


    I guess what I'm looking for is a correct starting point for adjusting the claw. Or maybe it's simply impossible to have correct up-bending intervals on all three strings at the same time.

    I could have farted and it would have sounded good! (Brian Johnson)

  • Yeah, could be. Don't know about the neck length of the Luke but the scale lenght is 25-1/2" (64.8 cm), which is the same as a strat (I guess). Frets there are 22.


    To be clear regarding the "correct starting point" I've mentioned above: A starting point could be to leave the claw parallel at the beginning and first bring the bridge to a position where you can bend the G-string up to A# (or the B-string to C# or the e-string to F) and then start to angle the claw. But I don't know if this could be a correct starting point and if it is with which string to start. Or am I wrong and it must be another starting point?

    I could have farted and it would have sounded good! (Brian Johnson)