Yea all very good but can it do" Smoke on the water" 
reminds me of when the Fairlight first came along.
We all said "it can sound exactly like a ......"
It turned out, that it couldn't.
If one cannot play a guitar why not use a plugin. They can also somewhat sound near.. I do it the opposite way cause I cannot play the piano 
a bad pianist, on a piano, sounds better than, a good guitar player playing samples of a piano ,on a guitar.
a bad pianist, on a piano, sounds better than, a good guitar player playing samples of a piano ,on a guitar.
Either way a bad player on the true instrument will sound more real than a sample played bye mapping another instrument. And I think that ist good like that..
fine,
I like the idea of applying human analog vibrato to single note directly from the keyboard keys
sure, me too.
I dig it. Can't stop progress eh?
This was discussed some time ago. I think it's pretty good, the way you interact with the instrument is excellent imo.
Had a go on one the other week. Not as easy as it looks...
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He played the device well. But, it only sort of sounded like a guitar. Sorry, try again.
Try playing it with your teeth and behind your back...then I'll call you a real guitar player. 
Looks like he's pulled an extra heavy duty elephant kind of latex body stocking protective over a DX7 / DX9 / SY99 or some such synth
and accessed (channel) aftertouch.
Then he plays the wibbly-wobbly to the video game prompt complete with karaoke to get an approximation of the real deal.
Sounds like a lot of soft/hard/rubber-ware effort to be used to get somewhere to the real thang.
Talking about the real thang... @HCarlH
Ah well... 
I´ll get my coat... 
I dig it. Can't stop progress eh?
That's why we have Kemper Amplifier
Try playing it with your teeth and behind your back...then I'll call you a real guitar player.
I know, I know
On a stage, even best keyboard player can't make impression, that mediocre guitarist playing barre chords with angry face can do 
This thing's old news, Brother Skocz. If there was any danger of making guitar "obsolete from now on", it'd have already happened, brah.
Consider:
In single-channel mode, which you'd use for everything but the esoteric list of instruments I'll link to later, it loses its polyphonic aftertouch - not good if you're a keyboardist.
- not good if you're trying to control any of the Roland drum brains that use poly AT for choking.
Each note is sent on an individual MIDI channel. That's a lotta channels. Your DAW must therefore be able to receive and record multiple channels (actually, a crapload of 'em) at once. No big deal really... until you realise that each key requires its own track. MIDI editing, anyone? Even the CC information is spread across these tracks. Want 32-note polyphony (not much in these days of 128 and even 256-note polyphony)? That'll be 32 tracks, thank you. Wanna represent all the notes on a 24-fret, 6-string guitar? That'll be 36 tracks. Good luck with that, dear keyboardist and MIDI editor.
I mentioned the obscure range of fully-compatible instruments earlier, but how about the most-powerful-and-respected soft synth of all time - Omnisphere? Well, you'll get 8 notes of full expressivity 'cause you have to use Multi mode to load up 8 instances of the same instrument, each assigned to its own MIDI channel and configured to map certain CCs. 8 notes? Welcome to 1980. Good luck browsing any of the tens of thousands of patches out there for it 'cause it can't be done. You'll have to construct the aforementioned multi and make all the assignments from scratch, as per the following instructions, which neglect to elaborate on the 8-note limitation, preferring instead to state that "... each voice of your patch will have fully polyphonic expression!". Well, duh; it's still only 8 notes!
Using the Seaboard with Omnisphere « ROLI Support
Here's the full compatibility list:
Compatible synths, DAWs and instruments « ROLI Support
Compatible software synths:
Admiral Quality Poly-Ana
Cycling ’74 Max
Equator
FXpansion Strobe2
KV331 Audio SynthMaster
Madrona Labs Aalto
Madrona Labs Kaivo
MainStage
Native Instruments Reaktor
Softube Modular
Spitfire BT Phobos
Stagecraft Addiction
Symbolic Sound Kyma
UVI Falcon
I've highlighted the most-popular VIs, and even they aren't exactly in everyone's arsenal, and this is after more than a year.
Compatible hardware synths:
Axoloti
Deckard’s Dream
Expert Sleepers FH-1
Futuresonus Parva
MOD Duo
Modal Electronics 001 / 002 / 002R
Modor NF-1 / NF-1m
This one's even-more esoteric; I've not even heard of any of them. Good luck setting up your Roland, Korg and Yammy outboard synths to respond polyphonically to the per-note "multi-dimantional" CC data. Can't be done.
Why am I bothering to say all this? 'Cause Hype™ is one of the most-annoying things on the planet to me. By all means, push boundaries and innovate, but if you're going to "sell" something on its potential, please, for the love of God, be completely-honest-and-upfront about the product's compatibility and the lack of libraries out there configured to handle the 1-channel-per-note M.O. of this thing.
Further to this, I've had to dig around just to find out about how one would go about recording and editing the MIDI data. No wonder nobody's screaming this info from the rooftops; it sounds like a nightmare to me.
In short, it's early days IMHO. Much has to change in terms of compatibility and perhaps even MIDI spec across the (sea? uugghh..) board. Our arsenals of hardware MIDI modules and whatnot aren't ever going to be able to take advantage of the controller, and that alone pushes it way off the radar for the many folks like me.
Thank you for sharing, Brother Skocz, and sorry for being a wet blanket on behalf of all guitarists out there. 
But can it djent?
I like the idea of applying human analog vibrato to single note directly from the keyboard keys
This !
I like this words, because it comments and nails the topic!
Agree totally. I like the vibrato lots but the overall sound is not really like a guitar imho
