If you're unable to see the Absolute Extreme dominance of the Kemper in the area of capturing realistic amp tones (Profiles) your'e clearly choosing to overlook a clear proof that anyone can objectively verify and not only a fan (presumably myself) of the Kemper as a device.
I like how you do this; artificially inflate your argument by loading it with presumptions and conjecture. Yes, the Kemper can capture realistic amp tones (I'd say often around 80% to source tone). With Axe and BIAS, I've also heard similarly impressive results at this juncture. There's no absolute dominance, there's a matter of nuance.
Since AXE FX II is the most expensive and biggest contender ( a good device in its own right for effects, but not amp tones in comparison with the Kemper), I suggest you go and visit the official Fractal Presets website to find Tone Match presets for the AXE FX and see for yourself how many users managed to Tone Match real amps (I couldn't find a single one, I'm sure you might with luck find a few possibly under a hand full). Maybe google wasn't my friend but before I bought the Kemper, I researched the AXE FX and couldn't find anything worth mentioning in regards to tone match presets and that still stands today.
Then we've heard different things. I've heard some really impressive tone matches, and heard plenty of people tweaking to get close to a source tone and being as close or closer than most Kemper tests (though not all). @Coldfrixon has mentioned as well on the Axe forum that most KPA users on this forum can't hear a difference between amp and profile even though he can. Same for Axe guys that claim to not hear a difference. He also mentioned on this forum previously how far the Axe has come and does the amp modeling better than Kemper, but Kemper does cab capture more organically than the Axe. I recall him raving about using an Axe and Kemper together (Axe for amp, Kemper for cab) and if I recall he said it was one of the better experiences he's had with both.
Tone Match was and still is an EQ match gimmick to calm down the uproar of AXE II users when the Kemper was initially released to make them think that the AXE can do what the Kemper does. It simply can't for 99% of its user except for those with access to various studio tools that might be able to tone match an amp to prove that it can be done by the AXE from an academic stand but not in any practical way that most if not all users will be able to utilize that feature to capture real amp tones.
99%? Again, artificially inflating your argument. I've heard many impressive results, so I can only guess you're either hearing what you want to hear (or aren't). Same as profiling, tone matching on Axe or BIAS is only as good as the person setting it up. I simply can't take your ready dismissiveness seriously, not based on what I've heard.
Regarding the Kemper I'm sure you're familiar with Rig exchange and what you can find there as an unbiased (pun intended) user who's looking for profiles based on real world amps.
Yes, I've gone through thousands of unusable profiles, though most of my mainstay rigs are off RE, just very few. Though, you're not getting "amps" with a profile, you're getting a signal chain. Amp, cab, speaker, mic, mic position, mic preamp, even cables. All leave a tonal characteristic, so the idea that you're getting an amp rather than a specific mic'd tone at a specific setting, not to mention tube amps sounding slightly different by the day, isn't really true.
Edit:
Then again there are very knowledgeable users of the AXE II who also own the Kemper and hopefully they can make some presets of some famous Kemper Profiles or tone match and try to sell them to AXE FX users. I know that Kemper Exchange has all the AXE FX II profiled for quite a while but they're not very popular because when compared with real amp profiles the difference in quality is very evident in favor of real amp profiles.
Well, it makes sense that they wouldn't be as popular. You didn't get the Kemper to sound like an Axe-FX. If you wanted that, you'd get an Axe-FX. People get the Kemper under the idea that it can capture mic'd amp tones, so naturally that's what people gravitate towards. That argument itself doesn't say anything about either devices inferiority or superiority. And let's not forget that the Axe profiles are how others set their Axe at a single setting, but it's not as if it's the only tone with all the parameters you can model within the device.
Back to topic:
I whish an auto correction when playing a wrong note
Yes, back on topic. Agreed.