I'm not an expert on this, but I feel that solution 1 would be the "purest". Although manual says, that signal coming out of Direct Out equals to the Kemper instrument input, there maybe some minimal latency involved.
However, I am more interested if recording 2 exact the same profiles will result in the same output (given you choose solution one, to omit possible latency and possibly* different signals)
*manual says, that signal coming out of Direct Out equals to the Kemper instrument input
I would opt either for a splitter or to go SPDIF to the second Kemper. The reason being conversion. Each ADC/DAC conversion costs some quality, some headroom and most critically to me some time. It's not a lot of time but I start to feel it when you reach towards 10ms and above and the Kemper is in essence a 4-5ms roundtrip so you may start to feel it for the second one. SPDIF should in theory reduce the latency slightly as there's no ADC/DAC however there's always a buffer on every data connection so I've no idea how it might impact things with the Kemper (i.e. splitter would be easiest)..
Try direct out with guitar analog
From the Profiler Reference Manual:
Git Analog
(Only available and default setting for the Direct Output). The pure and clean instrument signal is sent to the Direct Output by an analog splitter, no AD/DA conversion is taking place. The analog signal level is the same as on the instrument input. Useful for reamping or running a second amp in parallel.
HTH
Both profiles would probably need to be made with the mic position at an equal distance from the cabs to avoid phasing. Other than that, it should be approached like using 2 standard amplifiers I imagine. You could split the signal with a routing pedal.
Couldn't you just reamp it with the 2nd setting?
Couldn't you just reamp it with the 2nd setting?
Could do but would like to get a feel of what the profiles sound like together before i record anything
I would simply doubletrack it, once with each profile.
I would simply doubletrack it, once with each profile.
This all day \m/
"The engineer miked the guitarists' amps with SM57s. The ampsincluded a Mesa Boogie Triple Rectifier with a 4/12 cabinet, PeaveyTriple X amp with a 4/12 Peavey cabinet, Vox AC30 and Fender Twin. Moiused one mic per cabinet. “We had one performance on eitherside,” he says. “We would record one mono track and thenrecord another mono track. It makes it really thick. We'd blend all ofthe amps down into one track and record two tracks: a left and a right.Then, when the chorus comes, you get them to do it four times and havetwo guitars on each side.”
"But when werecord it up here, we use a program called Amp Farm from Line 6. Wejust take a split off of their guitar amps so we can have everythingmodeled as though they're playing live, but we just sneak an extracable in there that comes up to the computer"
Source: https://www.mixonline.com/recording/studio-nickelback-364996
