Xitone FRFR active wedge ? ?

  • I am very curious about the Xitone active FRFR Wedge. Who has one ? tell me about it.


    I have been on the waiting list for the Atomic CLR Neo MK II for months . I need a decent FRFR Cab NOW !

    Anyone using an Xitone FRFR active wedge ? . . Tell me about it . Thanks

  • Hi Dave, and welcome to the forum! I'm pretty sure there are some threads covering this. A search of the forum for Xitone would probably find them.

    Go for it now. The future is promised to no one. - Wayne Dyer

  • I did not see where to do a search , I'll look again .. Nope, I did not see where very many are using he Xitone stuff , However , most who are satisfied with their gear usually no longer have a reason to be in the forums !

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  • Hi Dave... Dave here...:P

    I don't have the wedge, but I do have the MBritt 1x12 powered cab.

    It is built like a tank, and sounds great. I love that I can remove the back panel for open/closed back situations.

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    That was my 1st YOUTUBE !! :P

  • I'll be playing at Mo's Irish Pub 23511 Katy FWY, Katy TX 77494 June 27th (Thursday night 9 till 1) I will be playing with Doc Holiday band at Saddlebacks in Sealy Sat 8 to 12 June 15th

    Hi Dave,


    I assume you are the JD Miley from The Gear Page. I was the guy who recommended you look into XiTone. My username over on TGP is Deuterium. Congrats on your purchase, and I really think you will be very pleased and satisfied with the XiTone. I have the passive wedge, because I own a powered Kemper rack. There are more than a few XiTone owners, here, on the Kemper User Forum.


    Cheers,

    John

  • Here is something interesting for the DIYers.    After a review of the Dayton Audio (DA) PPA800D pwr amp from Parts Express. vs the Xitone pwr amp. They appear to be the same plate amp. The PPA800 has a DSP shaping function, capable of shaping and compensating for most cab/speaker deficiencies via the USB port. Xitone most likely had DA preset the DSP for their cab and had no need for the USB port.


    Something to consider:


    Xitone FRFR Active Wedge ~ $899


    Dayton Audio PPA800D ~ $279

    Eminence Beta-12CX ~$85

    Eminence PSD2002-8 ~$75

    cab/wedge materials ~$200

    Total ~$640 + free labor


    I am not advocating either selection, just illustrating the options for anyone interested in a DIY frfr pwr cab.


    Currently I use either a Headrush cab or a Thiele cab loaded w/ an EVM12L, depending on the gig.


    Cheers. :)





  • Yes John , that is me ! I went ahead an ordered the Xitone FRFR. I should get it in about a week to 10 days. My reason for the FRFR instead of the GRFR or the MBritt sig cab . . . I can buy the Celestion driver that goes in the GRFR or the MBritt cab for $90.00 and switch it out for a different flavor if I need to.

    Playing live, the 1st thing I noticed using a separate FRFR cab instead of running my Kemper in the same floor Monitor mix with everything else, the separation made everything cleaner , clearer, and fuller sounding while being able to turn the over all volume down on both. Everything is just a little less garbled and a clearer. I never thought I would be playing on something like the Kemper and really liking it . . . but I am ! Though I love my real tube amps and pedals , none of my top shelf pedals sound like, or as real, as a cranked amp profile . My SRV tone is a cranked tweed deluxe profile , not a Tube screamer ! I use only about five MBritt profiles with different gain settings to get all my basic sounds. Matchless JJ, Fender Tweed, 3rd power Black Face , Dumble and a Marshall. Thank you very much for your recommendation on the Xitone ! I have heard absolutely nothing but positive comments/feedback on the Xitone stuff so far.

    I got the Non -powered Kemper Rack on purpose. Mainly because of all the other power amp options out there that are light weight and might sound better . . . such as the Matrix , or even a Tube power amp such as the Fryette PS2 . Another thing I noticed when running the Kemper through a tube power amp and regular guitar cab . . . all the amp profiles did not sound all that different from each other . . espeasually on the High gain amp sounds. The true amp personality comes out way more obvious through an FRFR Cab. Maybe a really good tube power amp into a passive FRFR cab . . . may be the ultimate ?? . . or at least worth a try ??:?:8)

  • I am not really good on DIY> I am on some things , but I doubt i could build a cab worth a darn. However, I did order the Xitone FRFR active wedge rather than the GRFR or the MBritt sig cab . One main reason is I want a more Flat response to make it easier to match what my Kemper in doing FOH. The Other reason is, I can buy the Celestion driver that is in the GRFR or Bitt cab for $90 and switch them out for a different flavor. Though I doubt I will actually ever do that. Any decent active FRFR cab I can use as a wedge or backline will do me fine. The Friedman ASM is just too bulky and I did not really like the ASM10 . If I really like the Xitone when it gets here , I may not be interested in the Atomic CLR Neo MKII anymore.

  • Another thing I noticed when running the Kemper through a tube power amp and regular guitar cab . . . all the amp profiles did not sound all that different from each other . . espeasually on the High gain amp sounds. The true amp personality comes out way more obvious through an FRFR Cab. Maybe a really good tube power amp into a passive FRFR cab . . . may be the ultimate ?? . . or at least worth a try ??:?:8)


    Hi Dave,


    What you have noticed is to be expected. A guitar cabinet contributes roughly 70% of the over-all tonal signature, in an amp-cabinet system. In other words, if you play various tube guitar heads through a single, specific cabinet, you will get a lot of "sameness", since the cabinet imparts so much of its character upon the resulting tone. Conversely, if you play a single, specific amp through various and sundry guitar cabinets, you will get widely different sounds.


    The same exact phenomena occurs when you connect a KPA to a traditional guitar cabinet. It may still sound great, but you lose a lot of the individual character and sonic uniqueness of specific studio amp/cabinet profiles. As you are aware, this is exactly where a FRFR-type monitor shines. It will faithfully reproduce the KPA profile of the reference amp/mic/cabinet system. So, a Fender Bassman sounds like a Fender Bassman, a Morgan AC20 sounds like a Morgan AC20, and a Marshal 1959SLP through a 4x12 Greenback sounds like (etc., etc., you get the point.)