mts profiles

    I just uploaded a bunch based off the mts system


    I used a BB+ (no gain setting) for a clean boost to give some edge


    I also made profiles of different combinations of mics: (2) Shure 57, Naked Eye Ribbon, and an at4047



    I uploaded 1 clean based off a Deluxe that literally came out of the mail carrier's hands and into the setup, lol


    I would recommend changing out the cab on that for the Pete Turley open back Fender



    Late nighters: enjoy! :thumbup:

    Last night (6-6-12) I profiled mostly hi gain stuff with my LP out in the garage- treated with aurelex and rugs.
    Today I profiled a bunch of cleaner modules with a Ribbon mic and my strat in a bedroom- hi ceilings, tile floor, area rug, oversized vertical Mesa 2x12. The amp had el34s- ideally i would have used 6L6s but not available today.
    All the modules were from our kemper friend Pete Turley. His ear for these tones is outstanding. Hopefully I captured some cool tones...
    Blackface
    Deluxe
    Tweed
    JTM

    note: if I listed SOLO, chances are it will sound inadequate for most rhythm/full chordal work


    I think I slapped on some obvious Kemper delays after the profile to help alert you...cool fx in the Kemper, very inspiring, feel free to switch the fx up since I didn't spend much time there



    That JTM jazzy neck is a tone I like to use with my guitar tone rolled back, cool smooth tones



    In general, I'm sure I use to much gain on everything, lol

    I have a few days off from work, so I'll just keep profiling...



    After much jamming, I'm realizing my best hi gain cabs are the 2 Garage ones from 6-6-12 that have the Naked Eye Ribbon and (2) 57s


    The one is pretty balanced while the one with NEYE in caps is more mixed with that Eye in the forefront (a little warmer)



    The ones I've done in my tile room today (Deluxe, Blackface, Tweed, JTM) suck at anything gainy, but sound real good on the cleans


    There's a Deluxe I did today that is real inspirational for soloing..after a week of failed profiles, I'm finally somewhat happy!

    Thanks! I got blasted with a 2star rating, but I'm really digging the tones. I find almost every profile sounds decent if you mix up the cabs.
    I just landed on Saturday a Salvation Stonerverb (Orange Rockerverb) & Camerock (Cameron) that slay...that Camerock has the most intense "feel" of any amp I ever played, should be a good challenge for the Kemper. The nuances are insane.
    Due today is a JF Trilogy (5150>5153) and a return of the Gigmods SL+. Yes, this should be a summer of profiling for me :P

    Quote from crankyrayhanky

    Thanks! I got blasted with a 2star rating, but I'm really digging the tones. I find almost every profile sounds decent if you mix up the cabs.
    I just landed on Saturday a Salvation Stonerverb (Orange Rockerverb) & Camerock (Cameron) that slay...that Camerock has the most intense "feel" of any amp I ever played, should be a good challenge for the Kemper. The nuances are insane.
    Due today is a JF Trilogy (5150>5153) and a return of the Gigmods SL+. Yes, this should be a summer of profiling for me :P


    Bring them on......my hungry KPA needs more profile feeding.. :P

    Quote from crankyrayhanky

    That JTM jazzy neck is a tone I like to use with my guitar tone rolled back, cool smooth tones

    I took the greenback cab from the Siggi Mehl amp and used that with your JTM jazzy neck and got an instant Mark Knopfler "Brothers in arms" sound when using the neck PU my R8 Les Paul. I knew Mark used a vintage JTM 45 on the original record and he still has it and used it whenever he needs that cello-like tone with his Les Paul. He also uses a vintage 1960 cab.
    Your JTM profile is the best so far for getting this sound. The other JTM profiles are somehow in the ballpark but yours nails the sound exactely.
    Thanks a lot for THAT profile!!!

    ^cool, I'll have to try that cab out. There's another guy who uploaded a handwired JTM recently, cool stuff. On my JTM I dialed in lots of mids and decreased the Highs...credit goes to Kemper pal Pete Turley, it's his mod from years ago


    I think the Kemper nailed this Camerock...I'll post it up later today/tonight
    Just as interesting, the cab tones I got today were way cool. Same spot as last week, in my garage using a Naked Eye Ribbon, but the placement difference is huge. I actually tried to get it around the same spot right up 1 or 2" from the grille near the center. Maybe the Orange tones seeped into the cab (?) IDK, but today's cab sounds very Orangey, matches great with any Marshallish tones. I slapped it on my Fish from last week and it was very much improved.


    I did add in (2) new 6L6s to go along with the (2)el34s...but I imagine the placement nuances are the biggest impact. Is there amp seepage on the cabs? How does any of this work anyway, some serious Roswell technology going on, lol


    Anyone have a tip on how to save my cabs to usb? I know how to save on my Kemper, but for instance, I downloaded a bunch of TillS cabs- how can I/where is the cab option during the file transfer process?


    Rock on Kemperites :thumbup:

    Quote from crankyrayhanky

    ^cool, I'll have to try that cab out. There's another guy who uploaded a handwired JTM recently, cool stuff. On my JTM I dialed in lots of mids and decreased the Highs...credit goes to Kemper pal Pete Turley, it's his mod from years ago.


    This is how Mark Knopfler sets up his JTM 45. Looks like it's not that far away from what you did. He dialed in a good deal of mids and treble and dialed out the bass. He also seems to turn the presence fairly much down.



    [Blocked Image: http://www.mk-guitar.com/wp-content/uploads/2008/11/marshall-jtm45.jpg]