Kemper (the man) has never approached solutions the way others do. This approach is infinitely more flexible and pushes the idea that it *isn't* about sounding exactly like something that already exists.
I think the pursuit of 'sounding like.....' a certain amp, pedal, or player very often misses the point of music and its inherent individuality.
Yet we are stuck with the ‘exact replica’ of the Leslie speaker in the Kemper because it is accurate ?
Do like the look of these new distortions though.