all of this would be so much easier if the display was in note names or even musical intervals instead of +/- X semi-tones. ?
But. the nice thing about interval display is, if you change the Key later, all the intervals are still correct
all of this would be so much easier if the display was in note names or even musical intervals instead of +/- X semi-tones. ?
But. the nice thing about interval display is, if you change the Key later, all the intervals are still correct
But. the nice thing about interval display is, if you change the Key later, all the intervals are still correct
Agreed. Minor/Major 3rd is just infinitely better than doing the mental arithmetic of 3/4 semitones every time you want to use it ? As for note names, an intelligent interface would also automatically adjust the not names to match the new key.
So far I’ve only had to count up 5 semitones. I’d have to use my other hand if I needed 6.
So far I’ve only had to count up 5 semitones. I’d have to use my other hand if I needed 6.
Just start subtracting from 12,and all is well
Just start subtracting from 12,and all is well
I’d have to use my calculator at that point.
A little clarification about the harmonies. It’s actually Chuck Levell on piano. Les Dudek played acoustic guitar and Duane had already passed by the time it was recorded.
What is really great and special about many of the ABB harmonies is they aren’t always strict 3rds. They will throw in a 4th sometimes (possibly other intervals) when it sounded good to them. It’s one of the many things that separates them from other bands that were inspired by them.
Will the average listener be able to tell…no way. It’s just really cool to a music geek and huge ABB fan like me.