Per collection thread

  • I would be a lot quicker posting my tunes if I did not have to mess with SD3 for beats and fills (besides being a better guitar player and not so anal retentive about perfection :)).

    Larry Mar @ Lonegun Studios. Neither one famous yet.

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    Todays noodle.


    BayouTexan use the groove search then ctrl drag to duplicate the loop until you have a complete track. Record bits, go back to where it should be louder/quieter etc, right click on the groove you picked and go to "Show Folder" then drag in chorus etc parts in the appropriate places. Finally grab a few fills and drop them in, maybe trimming them down as necessary as transitions between sections if the segments don't have a nice fill anyway (don't add needless fills as it'll become busy).

  • "Feel the Sun"

    Super radio-friendly. Good to work to. Me likey. 8)


    "Locks"

    Love the discoey string lines and female BV-keyboard part at 1:10. The latter sounds reminiscent of a theremin, which IMHO you could've used if you wanted a more-eerie effect. Very-nice brother.

  • Thanks Monkey_Man , I’m trying to work on my vocals one aspect at a time with these, I can’t make it sound less amateur because that’s just my weak voice and the structure of my throat/nose but I can work on things like figuring out signal chain and even stuff like rhythm which is completely different to rhythm with a physical instrument, a “fun” fact that is actually really weird and annoying to discover, it means starting out from scratch yet again :O


    I got two months on this noodle challenge before I reach the year mark, I would like to be at a much better quality level than I am right now - across the board. I really hope I haven’t reached my mediocre potential because it feels like there’s a gaping chasm between where I should be and where I am. So throw experience and feedback at me even if it’s hard for me to take, so long as it’s actionable then it’s useful (once my ego has its prerequisite tantrum/sullen depression and then gets out of the way). Ideally I’d really like to be good enough to be of use in helping others.

  • I really hope I haven’t reached my mediocre potential because it feels like there’s a gaping chasm between where I should be and where I am.

    Welcome to the world of being a recording artist, Brother Per. Per-fectly-normal IMHO; healthy in fact.


    'Tis a rare (and undesirable) peep who thinks he's the shit and rests on his laurels.

    So throw experience and feedback at me even if it’s hard for me to take, so long as it’s actionable then it’s useful...

    OK bud; you're shit and need to get a job picking peaches or something. :D


    Seriously 'though, I'll do this if you want. Just expect the ol' squashed-mix thing to crop up again from time to time and you'll be good-to-go. :pinch: :D

  • Thanks Monkey_Man that’d be super helpful.


    Thanks waraba just the LP neck pup on this one with the TAF Hiwatt profile. The temperature and humidity are swinging around a lot here so I’m keeping the hollow safe in its case till it settles down.

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    Well on the plus side I found a huge blind spot that I didn't realize I really had. Lots of problems on this track. Not least of which is neighbors and self consciousness making me choke. Also just too much mess in general, bad arrangement running int conflict with the vocal lines. The trouble is I think I fell in love with the scratch track which was just some random one take of improv (the guitar that you hear on here) because I loved the crunchy sound of the Michael Britt profile. I need to go back and listen to some classic hippy/southern rock and base my mixes and tones off of that, not that I mind listening to anything coming out of Muscle Shoals. Time to go and practice classic rock till I get it right.

  • ...I need to do some more of this style in order to understand the way it should be arranged and how they get vocals to sit in a guitar and mid heavy mix.

    If you check out vocals on groups Lynyrd Skynyrd, Molly Hatchet, and 38 Special (all Southern Rock) you see that they sing pretty raw and throaty without any effects. All those groups use about 3 guitarists and some use dual drummers. Getting raw and throaty is going to be a challenge for anyone.

    Larry Mar @ Lonegun Studios. Neither one famous yet.

  • Thanks BayouTexan yeah they're raucous bands with great vocalists for sure. I feel that the arrangement and mixes done at 3614, Bee Jay, Sound Pit and Studio One and so on are pretty excellent and should offer a lot to learn from in delivering that big clear sound.

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    Change of plans I decided to do more of an exercise on fretting precision. Very simple stuff but it's amazing how bad I find my basic core skills are when I actually pay close attention to the task of simply trying to play basic arpeggios while keeping sustain and avoiding fret buzz, tuning issues, timing issues etc aiming for absolute clarity. and I know that precision is definitely something missing that separates me from the pros. So once again a return to basics is in order and I'll be doing a lot of exercises over the coming days I guess!

  • It's now so accurate it kinda sounds like keyboard samples! :D


    Chasing theoretical perfection is admirable but careful you don't throw the baby out with the bathwater bro'. The human element, as you very-well know, is crucial in creating non-sterile mixes, both sonically and psychologically... IMHO.

  • Thanks Monkey_Man Hmm, ok, that’s something I never thought I’d hear! I still think I have a very long way to go before I get to the levels of precision I hear in commercial recordings, but I think I get it. It’s just that it’s un-musical in approach, too consistent (every note the same) for music and probably not helped by it being double tracked in parts and that gives it a chorus like sound which can sound plastic and artificial/sheeny.


    Actually listening back even the vocal bits that aren’t double tracked like the initial verse have a sound in parts that seems like there’s a subtle harmony/double track in there, weird. Maybe the low mix master reverb pre-delay is creating the effect.


    I’ll try to bear in mind - play with feeling, while improving technique and precision.

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    Todays much more messy noodle