Disclaimer: I used my wife's car today and heard this on "her" radio station. I kind of like it even though it's nothing close to what I usually prefer.
The bass work makes the track move. A true bassist knows how it's done. Well Played Per!
Yes indeed. That was one of the first things I heard from other bassists when I started to learn bass guitar -- like 2 months ago. 
You got that Three Dog Night keys going again. Love it.
You need to Wah to make it a 1000 out of an already 100! Nice!
This is the song that introduced me to the Satch. I believe it was his best.
Will something like this work?
If anything, I wouldn't mind having a little more resistance on my EP-1 pedal. Or maybe I just have a Lead foot. 
I did use to have to stomp them damn roaches back on Bourbon Street. Disgusting little bastards.
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Although it is tempting to want to set up hundreds of different rigs and performances to make the most of all the options available, keep it simple until you are really comfortable with it. A single performance with 2 or 3 rigs loaded and maybe some Stomps/FX just like your old tube amps will make it feel more natural and let you concentrate on playing instead of worrying about your rigs.
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I like that tip. 
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Think about getting the subwoofer for the HS7s if you don't have it. That is what I run. It definitely helps me.
I have a sub for my JBL306's and it actually messes me up if I have the crossover on --making me sound like I have adequate low end when I don't. Make sure you turn it off when mixing.
I would plug Kabinet into the poweramp, Send Main Outs to PA/FOH. And drink a beer on an empty stomach.
I pulled this pic from my reamp tutorial. The green arrow points to the speaker icon you use to turn on/off monitoring the specific track.
Its something ive wanted to get done for a long time but i just keep putting it off. The whole process for some reason is kinda intimidating not to mention completely alien to me i wouldnt know where to start. Maybe its time i call one of my studio friends and get him to come over and help me out.
You can also reach out to some techs at Sweetwater to get advice on treatment specific to your studio -- for free!
I love Charvel's and I love Orange.......that is a beaut!!
The SD Distortion pups just gravitate to high gain profiles. They have a lot of meat on the bones and also a warmth that I could not get with the SD JB's. They also have some of the growl I was looking for that ProBuckers with a stoptail have. I played it for 6 hours yesterday. I think it's my new number 1. 
What????
You have to try it first before commenting.
I think you can put the demons to bed now.
I added a high cut shelf and a 4db cut at 5K, so sounds pretty good to me except heavy on the low end.
Same EQ cuts as above but plugged in the Waves Double Tracker which I adore. Sounds killer even with the heavy low end! 
Here is your original.
I don't bother listening to tones outside the mix because you know very well that the one that sounds best in the mix is the correct one -- pedal or not.
I'll say this again... metal tones sound like awful crap outside the mix. Double track or quad track them against a bass and drums and some people will think they are in heaven.
My second Charvel (first one this year) arrived after the #icestorm2021. I'll be Burning Down the House today!
Try using a Metal DS stomp in front of a Marshall, Mesa, EVH amp or similar. Crank the gain on the Metal DS and turn off the Cabinet.
