Either of the options that you mention would work, depending on if you want to hear anything else in your headphones.
I use a splitter on the Kemper FOH XLR outputs, which I then run back to a small rackmount mixer and then to my IEM amp. I get signal from other players and mix it in as I like.
Very nice.
I do hear a bit of Beck's sound around the Guitar Shop album. His vibrato bar technique is beyond understanding.
Absolutely! Great ideas and playing Mats. Is that a "scaled down Strat body with the feel of a Les Paul"? 
Very well done! The bends and subtle slides immediately reminded me of JB...it's hard to pin that down but you seem to have figured it out and made it your own! 
Very well done!
Interesting arrangement and recording, top playing, great production quality. Was a pleasure to listen to!
Nice tone, and well played!
The Main Manual is planned to be updated with OS 9.0.
This is the most interesting post that I've seen in a loooooong time. 
I have a set of cosmic ears which need a small adjustment to make the seal really close. If the seal is not right your in ears will not sound amazing.
This is right, the IEMs need to be absolutely sealed, otherwise nearly all mids and bass escape through the air. You have to push them in deep.
I have InEar StageDiver SD4s and really like them.
I ended up sending them back and getting 8330A's with the 7350A sub. Beyond happy with them! Not inexpensive, and it really hurt at the time, but I do not regret it.
That must be a killer setup...but 3000€ 
...wow.
Thanks for the recommendation. Did you choose the T5Vs based on price? They are unbelievably inexpensive.
I hope my next pair of monitors last another 20 years and I dont mind spending a bit more to get something I can live with long term.
I'm curious what problems you have in the your studio and what you did software-wise to fix them.
I've had a pair of Event ASP6s as my main daily use monitors for the past ---uhhhh-- maybe 25 years. They still sound good, and of course I'm quite used to how they react. They've been repaired multiple times but in the past few years they are really beginning to show their age.
I know that the best thing to do is just go somewhere and sit and listen to several different pairs and see what sounds best. Thomann isnt far, so eventually I'll have to do that in order to make a final decision.
Genelec stuff has always sounded great to me, I'm thinking that the 8320APM might be a good fit. They are rather expensive. It only has a 4" woofer compared to the 6 that I'm used to. Size isnt everything, of course, but in some things it is. I know alot of people swear by HS7s... they are far less expensive than the Genelecs. How do they compete sound wise? I find it hard to imagine that they have the same type of pristine sound as the Genelecs.
They would be used about 50/50 for music listening and music production.
Has anyone else had the ASP6s? What did you move to?
Thanks!
Hi,
It's because an amp can be modeled with a DI Box (without a virtual or real speaker cab)--this is a "direct profile".
You can read more about Studio, Merged and Direct profiles here. I'd suggest reading the manual too.
Really chilled ambient work there, very enjoyable, reminds me of some 70's fusion work.
Thanks very much!
Hi, thanks!
It's a Boss SY-300, running into a KPA.
Here's a little piece I recorded after being inspired by the collaboration of John Abercrombie and Jan Hammer.
Hope you enjoy.
These sound great! Very responsive and useful.
I love everything about this.
It' so ... musical.
Cool vid and music, well done!
Do all profiles behave the same way?
Maybe uploading a recording of the issue would help.
What is your setup? Are you talking about a studio environment or live? Are you using SPDIF or XLR outputs? Does it also happen with headphones?
Thanks very much whippinpost91850 and toni dd !
