Posts by Burkhard

Your question is very unspecific and terminology is unclear.

I guess, you don't intend to "automate MIDI channel switching". You do this once and keep the MIDI channel setting. By default the receiving MIDI channel is set to "Omni". You can leave it there.

Assuming that you intend to load Rigs in Browser Mode (or Slots in Performance Mode?), you need to send MIDI program changes. If the PROFILER receives a MIDI program change it displays a "'#" for a short moment. If this program change number is assigned to one of the Rigs in your Browse Pool, the PROFILER loads that Rig. The assignments are managed on page "Browse Mode OrgChg" in System Settings. Details are in the Main Manual.

This calibration of the built-in pedal is really a job that has to be done within the FCB 1010. And that is the purpose of the FCB 1010 pedal calibration.

If your pedal sends MIDI control change #7 value 15 as the lowest, the PROFILER cannot interpret this as value 0.

Wouldn't the practical approach in such a scenario be to change the tuning in the recording software?

Agree to paults. As long as the preset is current it can be figured out the way he is suggesting.

However, most of the situations people want to refer to the "current preset", there is no such thing! We don't want to indicate something as "current preset" which doesn't exist. There might be a preset which had been loaded in the past followed by parameters changes. So the current state is not equal to that preset, might not even be close, could be completely different.

The volume parameter needs to sit within a module, that can be locked. It would work with any effect that has a volume control.

Quote from V8guitar

Not through Morph I don't think so...the point is Morph is set up specifically per slot so almost by definition is not globally set...

As I suggested above … by locking the modules these become global including the morphed parameters inside.

Example:

Place a Pure Boost in module X and a Delay in DLY module.

Set the volume of the Pure Boost and the Mix of the Delay up for morphing.

Lock the two modules X and DLY.

Now you can load any Slot/Rig. The Pure Boost and Delay are maintained. And you can morph the parameters at any time.

You could use a booster effect and a delay effect and lock those two modules.

Quote from robbymust

just love the new reverbs

Is there a way to copy a performance to a new slot and maintain the current setting and not going back to the zero settings for stomps etc. What I am getting at is when you tweek the parameters of a performance like wah, gain, any settings within a stomp , volume etc and come to an amazing sound that you would like to keep as is , if you copy it and then paste it into a new slot , then the new slot when you click on it will revert back to the un tweeked original sound of the performance. So is there any way to take a snapshot that will take with it the exact parameters you have tweeked.

regards Robbymust

You can copy the current edited Slot (COPY button), navigate to another Slot, and paste it there (PASTE button). However, if you hit the Rig Buttons of the Remote to load Slots, former edits to the Rigs will get withdrawn. So, either you store the Performance before you change Slots via Remote OR you stick to the RIG Navigation Cross on the front panel to navigate to other Slots.

The idea of this routing (DLY+REV Routing >0) is, that only the wet portion of the delay in the DLY module gets reverberated. So the dry portion of the delay is bypassing the REV module. And this routing doesn't change when you just switch off the delay. Otherwise there would be complete "jumps" of the reverb while you switch the delay on/off.

If you perform PROFILING you select one of the Rigs in your pool as a starting point and by default all its effects are taken over into the resulting Rig, which includes the new PROFILE. I assume TJ have used a Rig as a starting point for many or all of their PROFILEs with DLY+REV Routing or its predecessor DEL+REV Balance set to +58%. That's how it got spread.

It doesn't matter. You can perform updates of the PROFILER without the Remote being connected. Then, when PROFILER and Remote get connected next time or any other Remote gets connected to that PROFILER, the PROFILER will automatically update the Remote as needed. The only downside is, that this could take a few seconds before the Remote is ready to be used. I have not experienced one single scenario where that hasn't succeeded.

Have you checked, if your Windows 10 is 32 or 64 bit and installed the corresponding Rig Manager version?

My question would be, which type of effect is placed in the DLY module of those Rigs in question. Perhaps DLY+REV Routing just does, what it is supposed to do the way the author designed the Rig!? This picture is from the Main Manual and it shows, how the routing works in the range above 0%:

Schon klar! Ich versuche ja nur deutlich zu machen, warum für die Anwendung, um die es hier geht, das Zurückspielen eines kompletten Backups sinnvoll ist. Derjenige, der seinen Auftritt mit einem fremden PROFILER bestreitet, möchte ja nicht nur seine "nackten" Sounds (inkl. "Normteilen"), sondern auch seine gewohnte Benutzerumgebung haben. Einige der Fallen, in die man beim Auftritt bestimmt nicht tappen möchte, hatte ich genannt. Und ein Backup zu erzeugen und zurückzuspielen ist ja machbar. Damit vermeidet man Überraschungen.

By the way in the Michael Britt Rigs we published as Rig Packs and preinstalled on new systems, this had been taken care of.

Man könnte ja sagen, die Performance bringt alle ihre Normteile ohnehin mit. Performances sind sozusagen immer "Pack and Go". Die Rigs in den Slots sind ja unabhängig vom Browse-Pool des jeweiligen Zielgerätes.

Die Analogie ist eher, was passiert bezüglich globaler Einstellungen auf dem CAD-System Deines Kollegen? Bringt Dein Modell auch die Einstellungen für deinen Drucker mit und was, wenn die zu dem Drucker am Zielsystem gar nicht kompatibel sind? Sind z. B. Deine Präferenzen bezüglich Zeichentools im Modell enthalten und überschreiben die Deines Kollegen? In der ursprünglichen Anfrage von soldano73 ging es ja darum, mit dem Zielgerät ein Konzert zu spielen. Das heißt, hier möchte jemand nicht nur das Modell übertragen, sondern auch gleich - wie gewohnt - weiterzeichnen.

DLY+REV Routing has no effect, if

either the REV module is empty or switched off

or the DLY module is empty

or the DLY module includes an effect other than delay.

It has an effect, if

the REV module is switched on and the DLY module is filled with a delay effect regardless if the DLY module is switched on or off.

Hope that clarifies.

We can make decisions for Rigs that we have the ownership for. We don't want to manipulate commercial and non-commerical Rigs of other authors. Depending on the conditions above it either has no immediate impact on the sound or it has and is part of the design.

We didn't change the value of DLY+REV Routing/DEL+REV Balance nor did we change the sound of the Rigs. We just moved the parameter into another menu.

Before PROFILING you load one of the Rigs in your pool as a starting point. The effects of that Rig stay in the signal chain while you evaluate the new PROFILE and these effects are stored with the resulting Rig including the new PROFILE. So if "DLY+REV Routing" or its predecessor "DEL+REV Balance" were set to x% and were not adjusted before storing the new Rig, they - like any other parameter - ended up in the resulting Rig. That is intended behavior and no bug. Only the author knows, if this happened intentionally or accidentally. A few of our early factory Rigs had DEL+REV Balance set to +58% and other values. Some of these were obviously used as starting points during the creation of other PROFILEs. That's why we see this pattern. +58% is no default burnt into the software. However, such parameters can be changed at any time. And DLY+REV Routing only takes effect, if both modules DLY and REV are activated.

This general logic is not new. DEL+REV Balance +58% was "hidden" in the reverb module of those Rigs all the time. Now, since we migrated this parameter into Rig Settings under the new name DLY+REV Routing, it's just more visible. Yes, if you load another reverb preset it's not overwritten anymore like before. But we had to move it to a neutral place since the REV module can hold all effect types and the reverbs could be anywhere. That's why it ended up in Rig Settings.

We do housekeeping on a regular base including "normalizing" our factory Rigs. With 7.0 there will be a complete revision of all our factory Rigs. Setting DEL+REV Routing to neutral, where it has no practical effect, is part of the exercise.

Please familiarize yourself with the concept of Master Volume. Master Volume doesn't represent a particular volume of a specific output. At Master Volume X one output could be very loud while another is very low or even muted. If you're feeding FOH via the MAIN OUTPUTS, check at Main Output Volume and "Main Out -12 dB".

Quote from 120dBRockNRoll

I am sure, that a software lock would generate a lot of annoying support requests for Kemper: "Please help, I forgot my lock code."

We could set up a "24*365 Emergency Unlock Hotline". I know, locksmiths charge a lot.

I agree to paults, Favorites is the way to focus on the Rigs you like.

The philosophy of "My Rigs" is slightly different: If you create your own PROFILEs in Profiler Mode, the three author tags (Rig Author, Amp Author, and Cab Author) of each resulting Rig will automatically be set to the Owner Name stored in your PROFILER. So - without any further admin work needed - "My Rigs" is the short track to just look at the PROFILEs you created, if any.