http://petesprofiles.weebly.com/cameron-jose-merged-ii.html
Same amp profiled before, but these are with a different mic setup and of course, testing with a Kemper Powerhead for those of us who use a guitar cabinet. Clip and more info at the link. Thanks!
http://petesprofiles.weebly.com/carvin-vintage-series.html
Really great sounding vintage style amp. Two sets of clips and more info on the link. Also used a vintage 50s tube mixer to process one of the mics. Vintage high gain (yes, you heard that right) and low to medium gain abound!
These are merged profiles and are tested with a Kemper Powerhead against the original amp to be sure they sound great though a guitar cab.
sounds great Pete..
Thanks man! I played through this amp today just goofing around... it still sounds like my profiles of it 
Ernie Ball 25k. I like the sweep and how they feel much better than any rehoused wah or plastic pedal. Just my opinion though.
OK forgive me. What is the purpose of having the bass and treble change via a volume pedal? I mean, I can see where gain, depth, modulation and the like is a needed feature, but bass and treble? Maybe its just showing us that "anything" will be able to be controlled by a controller pedal perhaps???
EQ changes are useful in many ways. If you are doing a solo boost, you may want a little less bass and more mids to make it stand out in the mix without sounding muddy. Many times an EQ that works great for rhythms isn't going to be as good for leads. Or lets say you want to use the same amp but change pickups on your guitar, you may want to tweeze the EQ a bit.
Few High Gain Marshalls I have profiles of. Most links have clips too. Friedman, Cameron, Fortin and Wilder modded marshalls, and a 50 watt Jubilee. Not linked since they aren't high gain but also have vintage Marshalls, some recorded through the same preamp (literally, the guy bought it from Les) Les Paul tracked guitars through, a 40s RCA tube unit - and other rare goodies. I need to post more, just saw this.
Pete
http://petesprofiles.weebly.co…n-modded-marshall-be.html
http://petesprofiles.weebly.co…-modded-marshall-hbe.html
http://petesprofiles.weebly.co…ed-marshall-profiles.html
http://petesprofiles.weebly.co…-modded-jmp-marshall.html
http://petesprofiles.weebly.co…-modded-jmp-marshall.html
Really? Cause when I hear things that are out of phase like this (the correct term is reversed polarity, I guess) it sounds much weirder than just phasing due to delayed signal (which is a comb filtering effect, where parts of the signal will be more or less out of phase). It sounds like the sound has been turned inside out or something. Really messing with your head
Of course, I sit right in the middle between two monitors, where the effect will be most noticable.
I just don't get the delayed signal part from swapping the + and - cables, since you aren't delaying any signal, you're just making one speaker push out when the other sucks in. Doesn't really matter though, as long as the original poster gets relief. It's incredibly frustrating to have awesome gear and it doesn't sound right.
Pete
I never noticed anything swirly with speakers connected out of phase - that's more of a time domain issue where the signal has a slight delay. What I'm talking about is when you have one woofer in a speaker pushing out while the other speaker has a woofer that's moving in. Of course by woofer I mean the larger speaker in the enclosure. If you've ever hooked up one speaker backwards in a home stereo you know exactly what I'm talking about.
Pete
Out of phase would be quite drastic thin sounding though...
...or just plain weird and swirly.
I also have a focusrite interface, but with DSP effects built into the mix control software. Does the scarlett have that as well?
Any chance your wiring to the monitors could be out of phase?
Congrats to Lance Rich, winner of a custom pedal from Pete's Profiles and WoodWizard. Working with Lance on the specs of his pedal, but looks like it's going to be entirely built of highly figured flame maple with his band's logo engraved in it. Fancy and functional! I'll have progress pics on my facebook page and my WoodWizard facebook page. Thanks everyone!
Pete
If the Helix works for you - great! I learned a long time ago I was personally better off spending more money in the first place for what I wanted than to try to make something cheaper work. If the Helix sounds better to you, or works better - go for it. But if it's all predicated on price... you generally get what you pay for. Again, just my opinion.
Pete
Here's the only place you're going to find a really cool exotic wood pedal that works great with or without a Kemper Remote. Add some class to your pedalboard. Have had a great response, but there's still a good chance to win. Or heck, if you don't win, I'd still be happy to build you a pedal, you'll just have to pay for it. : )
http://petesprofiles.weebly.com/pedal-giveaway.html
Just for grins, here are a few truss rod covers I've done lately... obviously it's going to depend on your art, but the winner will get some custom etching/carving of their choice on their pedal, which will be sweet!
[img]https://scontent-dfw1-1.xx.fbc…bda4b246ffde1&oe=56D60E14[/img}
Ethercon is fine, but even one of the rubber boot-caps you put on a RJ45 cable to protect the locking-pin would be a huge improvement over the unprotected RJ45 plug provided with the Kemper remote. €3 buys you a bag of 50 caps.
I hated those things when I did networking. Especially if you had to change anything in a patch panel with dozens of cables next to each other. Even with the rubber boot cap, the plastic is going to move back and forth and will eventually break from the fatigue. The boot cap would keep it from getting twisted back though for sure.
Display MoreLooks like a very good but expensive solution #HELL-G ...
I found a cheaper, but very effective solution which works just perfect with the broken RJ45 connector clip of my remote cable ...
I do recommend this:
... and the delivery to the UK was 5 days from order to my hands
Cheers,
Wolf
Cool, thanks for sharing. Just bought some, we'll see how they work.
Just picked up a RJ45 lan cable crimper on amazon - can find one there or locally at a home improvement store. Get some RJ45 ends, and when (not if, WHEN) the plastic locking tip on your cable breaks, you can cut it off with the tool and replace it. You can find instructions for making a cable easily on the net, or find a nerd with networking experience to do it for you. Also will be easy to make custom length cables, spares, etc... once you've done this a few times, it's actually much easier IMHO than soldering a guitar cable, believe it or not.
One suggestion for the next generation profiler - have a locking end like on the remote on the Kemper side, so the plastic tab isn't necessary.
Gentle reminder - still a few weeks left. Looking forward to working with the winner on a piece of Kemper-compatible art!
do you have any other devices plugged into your USB ports including a multi-card reader? That was my issue.
I always say the strength of the Kemper is it's ability to duplicate a real amp. I have a roomful of tube amps, I can take them to a gig now with the Kemper. I can't do that with any other modeling amp because it's THEIR amps they are modeling, not mine - and mine sound better to me, just sayin'.
Pete
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<p>So i have an idea: Use the empty cab as a mini bar
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<p>Great idea! :D</p>
Nice rig okstrat
That band has a trailer that we use for gear, they carry both cabs so I bring less personal gear than my other band. We run a ton of watts out front - drive four bass bins and six tops in stereo. It's powerful and old school but really sounds GOOD.
