could be that the OUTPUT is set to Mod Stereo, it should be Master Stereo
- manual, Output section, page 70
I use my PROFILER with a bunch of different guitars with Clean and Distortion Sense set to '0'
"If you feel that clean sounds are either very loud or very soft compared to distorted sounds, you can adjust Clean Sens to a level where clean sounds have the same perceived loudness as distorted sounds." manual, Front Panel Controls, page 23
S/PDIF Output is most likely set to STACK
Das Problem an der Sache ist, das Voicings auf einer Klaviatur typischerweise aus geschichteten Terzen bestehen, während ,am auf einer Gitarre typischerweise Quarten und Quinten findet.
Eine Ausnahme wäre folgendes Amaj7 Voicing mit Grundton auf der D-Saite
Ansonsten bekommt man auf einer Gitarre schnell Probleme Klaviatur-Voicings umzusetzen (ohne ein open-Tuning zu benutzen) und umgekehrt.
Der klassische Barré-Akkord (hier in C)
Ist allerdings auch ein gängiger Akkord für Keys, wenn man die höchste Seite weglässt.
Linke Hand spielt C und G, die rechte Hand C -E -G darüber.
Diesen Kommentar hatten wir schon öfter. 
Am wahrscheinlichsten ist, das es sich um Körperschall handelt, den du wahrnimmst.
Am besten die Gitarre aufnehmen und abhören, es wird kein trockenes Signal zu hören sein.
Am offensichtlichsten ist der Körperschall-Effekt über Kopfhörer, wenn das Kopfhörerkabel am Gitarrenbody oder Hals anliegt.
such mal nach "Hays" in der Rig Exchange.
und nach "TA-30" (Mesa Boogie Transatlantic) - die Profile von AndrewC benutze ich auch sehr gerne.
Recommend amps/profiles is like trying to describe color for a blind person. It all depends on what your ideal sound is, what guitar(s) pickups you're using. One thing that's more important than the amp is actually the cab. Cabs define more the tone than any amp does. Anyway ADA was a very popular tool during the 80's. Used for heavy rock and metal and was used on many albums and Michael Wagener was famous for using the ADA and used the same preset and all the bands/allbum sounded differently. https://bighairyprofiles.com/item/577801aacca9180cd01f890d
or you could just use the real deal, as in: the very ADA MP-1 preamp Michael Wagner used. Profiled together with his Furman EQ in THE setting used on all these albums, pushing the input of the preamp.
You don't get closer than this.
I think a lot of players have their action a hair too low. When it's set too close to the limit, the frets buzz when you dig in a bit, stealing the string energy exactly when you need it to sing out unimpeded.
It's a fine balance and compromise based on how you play, but generally I find the existing action a bit low when I get asked to do a setup.
Similar with pickups - they're almost always too close to the strings and not in their sweet spot.
Guitar pick stiffness make a massive difference in tone. Try recording a part with a .50 pick, then the same with a 1.0-2.0. The brightness and attack are dramatically different. This and choosing the guitar is where I start when I'm searching for a sound.
couldn't agree more.
also as a bit of a pick junkie, it's not just thickness, but material and edge shape (and flex and 'handling' and so on...)
for example two of my favorite picks, the (finally reissued) D'Andrea Ultra Plec 2mm and the Dunlop Max-Grip Jazz III Carbon have a similar thickness but produce totally different results.
- reasonably new strings
- decent setup on the guitar, this includes neck relief, string height, pickup height and pickup angle
- also play pickups you actually like instead of trying to get them to do something they simply aren't
(for example trying to make low output Strat-like SCs sound thick and powerful with lots of mids - use P90s for that)
- record yourself often and listen back a few days later (!)
- personally, I also like to play/practise unplugged sometimes, really listen to your pick attack etc. so that going back to playing amplified will almost feel like cheating
Ich habe mal einen Blick ins Handbuch geworfen...
Hast du bei MobileSheetsPro unter dem MIDI Tab einen entsprechenden Program Change gesetzt?
I am on Win 8 but the new RM3 does not work on that so it seems it will work on 10 only.
"System requirements: Windows 8 or higher."
By using a patch cable, I assume you mean to use a short as possible mic cable from the mic to the Profiler Return.
I will try this tomorrow.
I meant: use just a patch cable connecting the Send directly to the Return.
You won't get a Profile of your amp obviously, only a 'neutral' Profile of the patch cable, but if this works we know the Profiling, Output and Input work.
the important part is:
PROFILER Send -> amp input -> amp speaker out -> cabinet -> mic -> PROFILER Return
try Profiling only a patch cable from the Send to the Return of the PROFILER, this should yield a completely clean, neutral Profile.
Does this work?
Ist das ein orginal Kemper Profil, eins aus dem Rig Manager oder ein gekauftes (wenn ja von wem)?
JS Marshall DSL100 Lead2+TS9 ist ein von User JSaultz erstelltes Profil - zu finden in der Rig Exchange.
Entweder über die Website oder den Rig Manager.
Display MoreKlar:
JS Marshall DSL100 Lead2+TS9
Habe den TS9 ausgeschaltet und den Gain auf 12 Uhr.
Und damit habe ich einen schönen runden Sound sogar auf dem Kopfhörer (inkl. Roomsimulation)
Darauf basieren derzeit alle meine Sounds.
Ist so einer der immer auf der Kippe steht, zwischen schon zerrend oder doch noch clean.
Geil halt. Und den Rest mache ich dann mit den Fingern...
Lieben Gruß
das wäre doch was für What are "your" hidden gems in Rig Exchange? Post your best finds here ...
What I'd really like please is a bit of advice on setting the Kemper up as I have a show on Saturday and will be using it.
Have at least one rehearsal where you try/select/edit the Rigs in real world volume and context (<- drums, vocals, bass, 2nd guitar if applicable).
What other 3 FREE clean/crunch/high gain profiles are up to this level?
(...)
Sick of going through profiles, want to find uptown 5 that work and be done with this tone search
tone is subjective
What are "your" hidden gems in Rig Exchange? Post your best finds here ...
Its hard to find the balance between sustain distortion and a good definition of the notes.
That's really more a technique issue than everything else.
There are Carvin Legacy Profiles by Eric Stam on the Rig Exchange that do have a very sweet lead sound IIRC,
these should work.
You can also dial in a little bit of Direct Mix to emphasize the attack transients, or add a little bit of Pick and/or Amp Compression.
