haven't watched the video (yet), but the looper plus the freeze function of a suitable reverb can go a long way
Posts by DonPetersen
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maybe you are especially sensitive to high frequency artifacts that can be introduced by close mic'ing?
have you activated Pure Cabinet and tried different values?do you hear the issue also in this video (and only in the PROFILER when it is compared to the actual amp)?
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It's always great to have one more experienced PROFILER user in the forum!
Welcome! -
And one of the "secrets" of the Morgan AC20 patch is the EQ stomp. Save that as a preset and use it often on clean tones to tighten up your sound in the mix.
and the relatively high setting of the AMPLIFIER Compressor of 3.8, evening out the differences in volume of a softer and a harder pick attack and thereby limiting the Rig's dynamic range.
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Lead (Clapton/Mayer-ish)
Lead (Santana-ish)
Lead (Gary Moor-ish)
These players have had very different tones (and gear), depending on the era/record - you might have to be a bit more precise.
Good luck with the Santana Lead, I haven't really heard anyone that sounded like him so far
and the opinions on how he get's his tone are quite varied, to put it mildly. -
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in the QUAD DELAY, you can set all but one delay volume to zero to get only one delay and then morph the Panorama setting of this delay.
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Connections for PROFILING a Computer-Based Guitar Amp Simulation
• Connect your guitar to the Input of the PROFILER.
• Connect the DIRECT OUTPUT or SEND 1 from the PROFILER to the appropriate input on your computer’s audio interface.
• Route the output of your guitar amp simulation software to a specific hardware output of your computer’s audio interface.
• Connect this output to the RETURN or RETURN 1 of the PROFILER.
✓ Be sure to disengage the noise-gate in your guitar amp simulation software before PROFILING it.
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When I first started I had an issue with my Presonus setup, where the headphone output was getting both the Kemper input and the sound of the Kemper through a record- enabled track. This caused a thin and phased- sounding effect and was fixed by muting one of the signals in the Presonus software mixer.
this is my concern as well.
layering the direct monitoring signal with the signal that passed through the DAW (and is thereby delayed a few ms) will cause comb filtering. -
The Tim Bass presets are just settings of the Kemper Drive to replicate the MXR Timmy* pedal - it's just a name
*All product names and company names are trademarks of each respective holder. Kemper GmbH is not associated or affiliated therewith. Those trademarks are only used for historical reference or to identify products whose sounds or tone inspired us during development. -
that didn’t work either I’m still hearing it the oscillating/chorus effect. Hopefully in another update Kemper will address this. Doesn’t sound good for clean tones.
how are you monitoring the signal?
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So, sounds like you'd be able to easily tell the difference between a Kemper profile of an axe fx model, and an actual Axe fx model. Sounds like a loss,of dynamics.
Tube amps are the references that matter
The results from PROFILING modeled amps can sometimes be underwhelming. The reason for this is that some emulations use techniques that don’t necessarily match the analog reality.
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It is important to keep in mind that PROFILES of modelers should be clearly labeled as such.
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So there is no way to turn it off and have the effects behave like a normal reverb and delay?
sorry, my post was unclear
simply turn down the corresponding parameters in the effect modules and the modulation(s) will be gone. -
It's a part of their parameters
Delay:
Stereo ModulationInduces a delay time modulation to create a lush and chorus-like sound. The delay taps are modulated in different phases to produce a wide stereo image like the Air Chorus, even when the delay times are set to equal values.
✓ If you want to create a delay modulation, without creating a stereo effect, use the Flutter parameters instead.
Flutter Intensity & Flutter Rate
These parameters control the typical wow & flutter effect of a tape delay. The speed of the tape passing the recording and playback heads, of a tape delay varies randomly due to several mechanical reasons such as tape wearing. This results in both slow and fast pitch deviations of the delayed signal. Flutter Rate varies the overall speed of these random deviations. Lower values produce more "wow”, while higher values pronounce the "flutter”. Use the Flutter Intensity to adjust the strength of the deviations to your liking.
Reverb:
Modulation
Every digital reverberator consists of multiple delays that are fed back. The delays can be randomly modulated by turning up Modulation, creating a more lush (and more artificial) reverb tail. Turn Modulation down to zero for a natural reverberation, although a sparse modulation is still maintained, so as to simulate the natural fluctuation of the air.
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I remember getting some 3rd party early 70's Big Muffs that could be imported to work as pedals about 10 years ago....never saw any more of that since though
I'm not familar with these, but it sounds like they were presets for the Muffin stomp that somebody dialed in to sound close to their Big Muff
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Danke für die Antwort.
Ja schon, aber ich möchte zum Beispiel Chorus oder Flanger Sounds verwenden und das hat das Gerät ja nicht. Auch der Zerr Sound gefällt mir nicht.
Effekte auf dem Talkbox Signal würden eher auf das abgenommene Mikrofonsignal gelegt und nicht auf das SIgnal, das in den Schlauch geschickt wird. Das sollte also in dem Mischpult zu dem das Mikro-Signal geschickt wird geschehen.
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Hallo,
die Banshee Talkbox ist so konzipiert, dass man genau kein eigenes Amp SIgnal bereitstellen muss, bzw. kann."The Banshee is a self-contained talkbox effect
containing its own preamp and power amplifier for driving the
internal horn driver. Unlike other talkboxes, where the effect is
connected between the amplifier and speaker, the Banshee is
connected between the guitar and amplifier—similar to
standard pedal effects." -
This could be achieved with a dedicated Midi controller.
ah, now I got it
I thought you were refering to the PROFILER needing a 'dedicated MIDI controller' for these parameters... -
hilarious video about the effect of pickups on the overall tone
