The price is definitely right but I am not fond of the rack mount configuration. If they could get it down to at least the size of the PB100 I would be way more interested.
It seems that it has a little brother: https://www.thomann.de/intl/ha…ustom_line_thunder_99.htm
Not the same power but very small and stereo. Note that the wallwart is bigger than the pedal! 
padella31 thanks for your appreciation! You have to know that I added a big muff and some modulation in front and heavily modify the rig to fit my guitar. But the profiles will certainly give you a good start point.
I recently used some Pink Floyd Rigbusters profiles for Comfortably Numb in a concert I made with the children of my elementary school. I somewhat tweaked them to sound as good as possible with the guitar I used. But there are so much different tones from different songs it is epic to nail them and, of course, there are the hands and playing of David Gilmour which are soooooooo unique!
Can't agree more with deadman42. For example de Mike Britt profiles sound too dark at low volume but are just lively and perfect at gig volume!
At the moment, for studio use only, I would go for the Toaster or the Rack, but soon there will be an editor release and the form factor will not be a problem anymore, the Stage will be just fine too.
But it looks like the DSP will be optimize for this new Kemper speaker so you should get better consistent result with it. What I understand is that you will get the sound of various guitar cabs thru this FR speaker and not the miced cab sound. If it works it will be a kind very fine innovation! But you will have to be patient, it could be released at NAMM or later or sooner. So, like RUEFUS said, if you are in a hurry try something else in the meantime.
Yes, and actually left handed as well, but I write and play guitar right handed.
!oot eM
Alleluia!!! Man, if you like the FM3 just go and buy it, no need to start a new religion! It certainly is a good choice but god is not a digital amp processor! 
If he were convinced that the Axe-Fx were superior before trying the Kemper, it seems unlikely he would've shelled out the money just to try one.
Why not? For the sake of curiosity you can try anything and it's so easy to return.
Did you meant Rhett Shull profiles?
Hey man! No problem if you prefer the AXE FX over the Kemper! No problem at all! Axe FX is a fantastic unit!
It's just that, you'll have to agree, you look like the guy that is already convince that the Axe FX is the best of the best and tried a Kemper for a few hours just to be able to justify this assertion. Eight hours is not much even with experience. But it's your choice and I respect it!
Be happy with you AXE man!
here's my take on comfirtambly numb solo.I used ruth shall profileExternal Content youtu.beContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Very good tone anb playing here! Thanks for the hint about ruth shall profile I will check it!
He already own an AXE FX and he obviously like it so I feel he just wanted to know if the Kemper had that something special for him that he didn't want to miss. Simple curiosity I guess. The problem is that he didn't give himself the necessary time to get there... I owned myself an AXE FX in the past and the time curve to only beginning to get the tone you wanted was a lot more than just ''many hours'', a loooot more. Whith the Kemper it's easier but still you have give to yourself a few days at the least!
I use my bridge single coil from a US 2010 Fender strat. But i get the same problem with split coil on a prs etc.
I would encourage you to learn the Kemper interface which is very intuitive and simple. When I play live I know that I can modify anything on the fly without the need of a computer. I'm not saying that the editor will not be a welcome improvement but the downside is that people just don't know anymore how to use the interface when needed.
I found this video from Andrey Korolev (which sounds amazing!!!
) and he uses a Kemper (and his fingers of course...) to get there. Maybe he could chime in?
https://www.youtube.com/watch?v=ynSc2oYemsE
I'm looking for a tone tha will cut thru the mix and it seems to be very difficult to achieve
with so much effects.
Any suggestions will be welcome!
I know I know it's all in the fingers! And when we talk about David Gilmour (Mister Feeling himself) this assertion is obviously very very relevant! But it seems difficult to achieve this tone with so much effects and still cutting thru the mix. Any rigs suggestions from you guys?
I found this video from Andrey Korolev (which sounds amazing!!!) and he uses a Kemper (and his fingers!!!) to get there. Maybe he could chime in?
Display MoreI was depressed for a couple of months a while ago, and to steer myself in the right direction I decided to sell, throw and give away lot of old records, photos, movies, books, magazines, stuff like that. Also deleting all my Youtube content (100+ videos...) and band history on Facebook since 2011
Oh well, another thing I did was selling and giving away guitar parts, bodies, necks and hardware. But some were unsellable, like this body below. I had routed the Evertune hole a bit wrong, and gave up on it. A year later it was lying in the swedish winter snow for a few months
Anyway, I was curious about how it looked so I actually walked out in the woods and looked for it. It was still there, but was slightly deformed and the finish (which I had sprayed myself, by the way) was REALLY cracked up.
But there was some appeal to it, so I decided to bring it home and now I'm thinking of getting a new or used Warmoth neck for it and get it up and rocking.
And then I STILL have 2 more Evertune bridges for other projects XD
It looks fantastic! And this guitar will carry a very interesting story!
Have fun..... For a while! 
You'll be back soon!!! 
I think the key is for Kemper to have a standard speaker cab so that they can compensate digitally from a known point.
Even if it isn't FRFR the Kemper "understands" it's lack of flatness and compensates.
This would be an absolutely amazing innovation!!!
