Are you only looking for SSL 4000E/G series or also the more current lineup of consoles?
Ed' , I'm super interested myself for these , especially some for vocals and piano console & preamp profiles , as I use my KPA for them too . I asked several times for these kind of profiles but couldn't find any help.
Also check RU sirius personal collection ,really great stuff in here
If you play hard, lean towards bigger gauge. If you hyave a delicate touch then you may find a lighter gauge more expressive...
Yeah a compromise will be great , heavy bottom and lighter string where I do lots of bends , I'll go for 11's first
Very nice! Especially like the lead tones starting around 2:12.
Yeah that's the line that sounds like a top end nylon to me , thanks , it"s a joy to play I'll probably put the rig on exchange
Renaud, there's a serious Captain Fingers / Captain's Journey vibe to that piece, mate, and that alone qualifies it as being great IMHO.
Best comment I had in a long time, Rit' was one of my main influence at some point , but yeah that was the idea once I had my rhodes chords , bass and drums. Writing from keys as a starting point is new to me , but really inspiring 
great track. The acoustic sim sounds great in your song!
Thx man , I love these new tones , fresh & inspiring
here is a groovy track featuring acoustic sim ( from 1:00 ) with some funky rhythm & some cool leads ( sound like a nylon no ??)
I had a pleasant surprise with the acoustic leads , using parallel path led me to a great smooth , clean & dynamic tone, very cool tone TBH.
All part s& fx KPA :
Let me know your thoughts on the lead acoustic tones , I'm super happy , I really felt like RIT playing live with a folk or nylon high end guitar, and so comfortable
I use the rig I previously posted on the rig exchange but with parallel path set to 3 o clock : Morgan acoustic P90
My Ibanez Artist never cease to amaze me , I think the semi hollow body really helps with the liveness & beauty of the tone.
Thx for all your inputs , I didn't expect so many answers , I'll give a try to 12 on my E flat strat and let you know
but the output volume is very, very low.
This is strange as I set these rigs volume around minus 6 db , which is already loud enough . did you check your input sense ?
I'll contact PRS about them. Thanks for the suggestion Renaud
Yeah I know PRS routing is a bit tricky , but you'll love coil tapped tones , go for push / push instead of push / pull , much more convenient to me.
No question they sound great, I just am not a fan of the necks widths or profiles and haven't found one I'm comfortable playing, certainly not Teles or Strats. My fingers may just be shorter than most.
Then you're good to go with coil tapping & push push pot
Post settings!
CK
I did on rig ex a strat SC and a P90 one , but I used the morgan and it's own EQ stomp setting , AMP & CAB disabled of course , sounds great for strumming.
but I don't even own a single single coil guitar, only humbuckers
How sad 
you're missing a lot , SC & P90 are my favorite pickups by far , especially for rhythm , and these are easier to mix.
why don't you use coil tapping on one of your guitar ( plus a push / push tone pot for instance, no drilling involved ) ? you'll be surprised with the tone possibilities.
Great song Nate, yeah the original subject is pretty ugly.
Got some good lead lines & themes
FYI I've just 2 acoustic rigs for single coiled strat a& P90 on rix exchange :
Title says it all !
Use Neck pick ups on both and adjust guitar vol & tone , strum like on a folk guitar
Tweak front EQ to taste & color
Also try some clean sense tweaks on the input and store them on your own rigs tweaks.
listed under :
clip from P90 semi hollow :
I wish I could get my PRS to sound anywhere close to your acoustic sounds
I just tried my full hollow jazzbox on buckers, I managed to get lots of different tones on neck HB BUT tweaking clean input sense ( down to minus 5) did help a lot to lose some of the electric guitar character to a more acoustic guitar.
Try playing with the guitar vol & tone pot , it should also help.
You also have to adapt your play , it's very weird for my brain to have my strat sounding like a folk, but once I start strumming without a pick , I can focus on the tone from my speakers.
So if you have a Kemper with 7.5 there is no reason to buy a Fender Acoustasonic Tele guitar?
Yeah sure, especially with the parallel path you can setup lots of cleans & semi acoustic , even more with switching between pickups. I could get some nice dry funky tone on a bridge pickup , and even some piezzo sounding stuff , to my surprise.
I finally moved to my new studio, here is my first recording on my original fender rhodes suitcase 73 mark II on the Kemper with the mighty AC 20 morgan profile and some FXes.
I waited soooo long for these moments !
This rhodes sounds super clear with bell like trebles , and super happy with the resulting recording, the morgan AC 20 did strikes again
Tell me how you like these tones , I'm curious of what keys owners here thinks about this.
The KPA got no limits in terms of instruments played on it , awesome. I used it on guitars, basses, keys , vocals , and even my trumpet : as it's the best piece of gear in my studio I use it as the main input with help of all professional tools in it.
I plan to plug my original fender rhodes for the first time this next week , looking forward the great vintage vibes on fender twins and so !
How did you get the sound of the 3rd piece of this demo? Sounds like the acoustic sim while played with another profile (like 2 sounds at once)? Or is this literally two different tracks? Sounds great, so I’m hoping there is a way to do this.
Thx, sounds great indeed , this is parallel path , starting from a bandmaster profile & using ACC simulator in slot A or B ( mandatory for parallel path ) then blending thru the rig menu for a % of both . See this vid for explanations. ( from 5:32) works great withh P90
Hmmm... Ihm not getting there yet. I wonder if someone will share some rig using the ac-sim ?
