two obvious & stupid thinks that fooled me in the past :
having the jack of my guitar in the headphones out 
having a loop FX engaged somewhere , but no real loop physically present 
and my SPDIF cables are very sensitive to minor shocks on my desk , even a 1 mm gap on the edge of the tip will kill my output signal
Hope it helps , but if you got your input led blinking , then it's not the guitar
At last a good live recording of miss Faye , the most promising guitarist I've seen in a loooong time. I cannot stand watching shred type vids on you tube anymore , I'm much more into soulful players like her.
Her style is so unique & refreshing , and her tone is so good , finger style , semi hollow, fender amp & spring verb ,a looper, but no Fx
Does anyone recognize the fender amp type ?
Ahah Mid life crisis like these are a bliss for others , at least you're not buying a porsche to show off.
I really dug the harmonized parts and that JCM 800 tones. I Guess our generation was raised with tones of JCM800 everyday we listened to radio, I always come back to a 800 also & will never be tired of it.
Yes ! The vocals by these young folks are really killer, good job on this cover.
My suggestion is to wait for the acoustic sim Kemper team is working on !
I agree on miking a folk in a regular way without the KPA , much better tone , and maybe disengage AMP & CAB on a KPA to benefit from the new verbs if you plan to get the signal from the folk to your DAW ( I often use this method just to use the spdif signal chain to my soundcard )
Place the verb pre-amp , not post.
Check my settings post and pre amp on my rig ex rig ' Boogie on spring' , but be sure to disengage all your FXs before.
That's an hell of a crunch tone, and those licks I'll never be able to play , that's great George 
Thanks a lot , I really dig channel strips profiles, I'll check this one.
may I ask you for a generic vocal preset profile using this preamp also ? I'd love to use this on my vocal tracks at my home studio
Yes I use the one from my MicroKorg XL+ , it has a midi port. It works great as a vocoder, with the mike supplied, and inexpensive.
It's a keyboard , so it might not suit your needs as I never plugged any midi device into it.
okay! time to say what my little project was. I made IRs ! In my studio and in one of the best anchoic chambers in this world, it has next to no reflections down to 50hz and is certified for that and even the close mics sounded different compared to the same cab and mic postition in the studio.
Sounds fantastic & pretty unique approach , really looking forward the outcome
Kemper team, I really think it's time to pin this project with the 2 other major contributors
Major thx for your efforts Bommel 
You don't need a transpose stomp, use the transpose function from the 'Rig button' menu and store this performance on a new slot.
some real music by humble folks :
check the guitar JJ Cale is using @4:13 , really worth a look
or just the Kemper's looper
Sure... but I don't have the remote 
Getting back on the original topic, I think the way the strings are buzzing could be emulated on the KPA, with a kind of extreme noise gate and others µpitch , bit shaper & other hacks.
I know the K team is working on an acoustic simulation, so maybe they'll hear our request ?
There are some good online DIY ideas, and a couple of commercial products - try a Google search for "Make a Sitar bridge"
Thx a lot Paul , you're a champ of guitar knowledge
add a low string drone and you're pretty much there
Thx, an ebow or my freq-out will do the trick , I'll definitely experiment more in this area
Boys, don't try this at home, at least on a electric , it will force some action on the bridge and maybe disturb your intonation.
I used a small piece of wood on my strat and had interesting but unconsistent results , because a slight millimetre change drastically changes the height of a string and it's tone , simple physics 
Strings have not the same height on my strat , so the wood block could not mute all strings evenly ... Piece of cloth muted it all, so soft materials do not work.
...Anyway, I'll probably end up sacrificing a 50€ tele copy , even the height of the string , and here comes my new sitar.
Clip of my sitar strat ( 5 mn mod ) :
It's really fun ,and much better than anything else I've tried yet !
A wood spoon , fantastic low tech hack
µpitch & bit shaper are your best friends for sitar like tones, but don't expect marvels, it's just a trick on a clean tone.
You'll have much better results using a VST.
Hi Bert , I'm very pleased to let you hear your CAE profiles in action on P90 semi hollow and strat , mostly CH1 and CH2.
Sounds fantastic with spring verb, that CH1 seems voiced on old fenders.
Hi
Here is a great song written by my friend Lee Rice who just finished a 5 year & 500 cities trip . He's got lots of material and songs and we're on a happy & productive trend.
Lee did the music , text & sings greatly , I did the electric guitars and mixed the song.
Profiles are CAE+ on P90 & strat
Hi, I found the spring to be very dramatic change to my usual profiles, the band pass effect , the relative loss of gain and other factors really affect a profile tone, but in a good way , at least to me. I love how it transforms a given profile to a vintage version of it , like making a brand new combo to a 20 years road worn , broke'in version.
But I tend to go for very low mix % , like 1 to 3 % and sometimes up to 7% for specific leads , surf or slide parts.
I also use it in pre amp position , with a large hall verb post amp, just like you do. Sounds like a tube combo with authentic spring miked in a hall , but I really like this setup, and use it constantly on my recordings. I just locked my spring reverb in pos D and set it ON , on the fly while tracking.
examples tracks : I used the exact same free AC 15 profile ( Mister May ) , with diff. gain settings
