Hi Sol , I only understood the body language so far & I agree
Posts by waraba
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it has a Rolling Stones vibe on the guitars
Thx Per, that's the vintage germanium fuzz , I'll probably make a NAM model out of it soon if you want to try it in front of the KPA (NAM is free)
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get my brain to get my fingers into the right positions
Super tough indeed, but that's the best way to keep your mind young
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Poisoned Rain , great vibe on the rhodes and looks like you had fun on the bassline
Every day is a lie, what an energy for someone sick great vocals backings
Another hit of you , great intro indeed , sets the mood with that B3 & leslie
Silence , well too much drums presence on my side so'd suggest a bit of silencing on that huge kick nice cocottes !
Snackish has a great rock vibe , vocals fits really well the gits parts.
Out Shopping, typical English tone if you ask me, nice chords and tones.
You don't like, this is you , well I liked that opening organ a lot, great tone on that deep layered 3D mix , great strings too. Drums a tad present too.
A life will spent, that dry vintage tone on the gits fits the style really well. Great arrangement on the mid parts. Drums are really authentic.
Caregiver, the 12 string is so recognizable and a lovely instrument. Bass fits the style pretty well too, drums maybe a bit too bassy and not dry enough maybe.
Overall , you're still king in the category "Some users have extraordinary musical output" like GString said.
Have a quick recover Per !
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Dry tones, well I like 'em a lot , they are so easy to mix. I tend to use tele tones for overdubs as they won't invade the mix in lots of contexts , rock , pop , funk, chorused lines ...
The other option on the tele is blues, country but you have to build up a 'mix cutting' tone with attitude, mainly in the crunch register, like D Gatton. Here is a KPA example ( using filtertrons)
Tele have that bite & twang , you must get used to it and know how to attack the strings hard to let them shout : thin , but present , twangy but definitely recognizable
check that KPA user , he nailed it pretty well , you're not very far judging from your demo that I liked.
Here is another from me , whenI was a junior tele layer , with an humble stock squier thinline ( rigs available on the thread)
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I bought a chord book i haven't had in years so trying to expand my chordal vocabulary a tiny wee bit
Cool move, Joe , I just learnt diminished chords after more than 30 years of practise, it's never too late.
Very happy track , and a nice progression of chords indeed , with cool tones vs that smooth neck pick up lead
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Here is an experiment in latin tone design on this moody instrumental
Bass is KPA amp pig clean
Guitar signal is : strat , filtertron or PAF pickup sim, KPA input sense , KPA trem & old wah preset(KPA ) , fan spring verb (KPA ) , then DAW NAM princeton ( my fav
NAM model ), NADIR with G25 & V30 , UAD delay , and DAW verb
I also engaged a inexpensive real pedal , germanium one in front of the KPA ( Tom's line G -fuzz) surprisingly good 30€ pedal , perfect for vintage & Hendrix tones.
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Sounds interesting, but could you provide direct recording from the KPA next time if possible please ?
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here is the vocal version,
interested in yer feedback guys , both vocally & technically
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Here is a bit of ... places & landscapes
This one's ready for vocals
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Well done on these voicings, they sound great and I hear a lot of fiths , and the track is really fun to listen with the rhythm & guitar breaks. Great tones too
It reminds me the works of another great KPA user here MuddySludge
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i.e. making tunes with synths and lot of guitar.
thx Mats, pretty easy , play synth when bored by guitars & the opposite , which happens sometimes to me.
The other alternative is to play your synth bass profiles & pack to get inspired
All these methods proved to work for me
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Good tones Renaud
never had a better tone since I've sent my KPA out to NAM amps & IRs, best of two worlds ...
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Here is a classic rock style one
lots of fun recording this one with harmonized lines
vocals impossible for now as a flu hits my chords
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& Sorry Larry for 'compromising' your track's thread . Let's close this topic for now
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Can't You Profile them?
Yes I can & did with my "alice in mars" profile for instance.
but it's mainly a feel & growl that does not transcribe well to the KPA , for instance Hendrix tones and major jangly amps like fenders. KPA profiling smooth it out too much and forgets the details.
My best example is this one , I could never achieve this exact tone on my KPA after weeks of try , I even opened a full thread about it, but no luck ... until I tried NAM , and it was a major revelation for me as I could finally get it & for free ( but not without hassle , it's open source ).
External Content www.youtube.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.And to be perfectly honest , it doesn't matter once recorded & mixed, you cannot tell which is which.
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this riffs & leads keep me happy at my IT home remote work Joe, thx
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I'm noodling the tele with a soft crunch AC15 and a Fender twin and I adore the sound I get. It definitely cuts.
Back to the roots man ! That's the tele vibe
Trying the free NAM VST would clearly get you a step ahead in this direction , as the fender tones I get with ... hmm hmm ,... I cannot get them on my KPA , period
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The Tele does twang and it's tone is something I am not used to at all. Just strumming it unplugged is super bright to me. I need to do some exploring with this thing. But I love how it is so much different than my other guitars.
yeah that's the beauty of the tele, it needs some proper amplification & play , might sound thin but cuts every mix with ease.
I highly suggest the great Danny Gatton , both for tones & play style , incredible talent
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