updating took a time , maybe more than 10 minutes or so , I am just over 1700 rigs .
I like so much a new way of browsing cabs and amps , it looks like a lot of fun !
didn't tried new output management , will do it over the weekend
favorites are there , everything fine .
so far so good , Kemper did it again !
Posts by Rescator
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2869 items !!!
if the average price of one profile in real life , is say only $1.000 ,that's mean you have
2869*1000= 2,869,000.oo $ !!!!three million dollars in loads of amps, cabs,effects in one single poor Kemper , OMG
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Lance ,
I think that doing back up and exporting rigs are not the same things . -
are back up and rigs exporting the same thing ?
back up took few minutes indeed , but for exporting my 1700 rigs I need more than two three hours . -
Gents , thanks for the help , you are the best !
Mats, I will try your SC fat Marshall sounds , which means I am not alone in looking for it !!Fat !!!
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Gents !
one third of SA Porterhouse is worth full T-Bone , it is so dense and beefy !
I was enough lucky (even I am just a humble guy ) to try steaks all around the World (including those from my Argentina & Chile Fly Fishing trip) , USA , Canada , Cuba , Norway , Russia and former Yugoslavia(ok , there is no steaks , but just most beautiful girls on the World ) , but there is no such a steaks as in South Africa .
Why ???
Because , the best South Afrikaans steaks coming from Botswana !!!
No industrial environments , no high technology shits , no additives , no antibiotics , no steroids , no Coca Cola , iPhone 5 and McD , even no TV for cattle just a pure Savannah grass full of healthy lions and lionesses between the cattle (read : steaks )Lance , with those profiles you send me now, I will get to 2,000 !!!
My Marshall Steak Kemper report will follow , hope there will be some fat and Botswana meat ! -
yes , I have tried Tills cabs , but not all of them ,so far no luck
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I am looking for some "meaty " , fat , as opposite to tiny and harsh Marshall profiles .
Even having almost all commercial Marshall profiles , they not met Marshall sound in my head ?The most acceptable so far is Tony McKenzie and his Satch Marshall , and Golub , both on the crunch side .
Adding a few pedals and EQ's , I can make Tony's profile very close to my liking , but cannot believe , it is the only one which fits my requirements , among 100's of them ? (btw, Bravo Tony !!!! )
Except to tell me that something might be wrong with me , could you please help me and direct me to some , nice , fat, meaty Marshal profile ?
I am sure it must be somewhere there ! -
100 % Lance !
(it seems I've miss that Kemper session at TOM's ?)
Can you imagine when I put Kemper through hand wired 50 W (made by JP Le Roux , South Africa ) amp and 150 W of pure Mesa Cab power ?
That thing is not only LOUD , that things HAS a soul and fantastic sound, somewhere between best Marshall and best Mesa tone .
Of course , without attenuation (attenuator made by JP as well) I will broke my glass doors and windows.
And yes , each profiled amp get colored by JP head and mesa cab .
I like that , because that setup becomes kinda bewitched , transforming it self from Morgan AC20 deluxe to Mesa Mark V , but still trying to keep its own soul .
Cherry on the top is natural feedback I get (which I like so much , and use a lot)
That's why I'will keep it . -
Thanks man , will check it out !
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Well done Diego !
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When I engaged this function a few weeks a go , wah wah effect on tone used to stop almost immediately if I move my foot from it .
As from yesterday , wah wah effect ,very noticeable , still stays on a good few seconds after moving my foot off .Any ideas ?
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ops , it makes me feel dizzy ! and saves lots of smoke
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in my case it is opposite !
Trainwreck is far a way from muddy sound , but I have to cut both highs and bass side .
so I have to tweak both EQ's and to decrease highs and bass and than to go to cab section and to adjust cabs EQI am talking about two Anderson guitars , both are mahogany body with humbuckers .
maybe it is about pickups , Anderson pickups are famous for their very extremely wide frequency , so I have more bass and more highs than on my "normal" guitars
mids are there by default , due mahogany wood .Once again , Kemper is the LIVE thing with fantastic response to guitar used, not some boring digital processor or modeler .
The role of guitar , wood, pickups etc is far much more bigger than ever thought .
Each and every profile is completely different if used with different guitars , that's all .
With above mentioned processors etc, every guitar sounds the same . -
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OK , if is that so !
looks like a very good tweaking ! -
there is a rule :
first put that profile on rig exchange ,
second : make this thread and
third : than we can tell Ya what we think -
Everything well what ends well , enjoy your Kemper !
I have quite a few guitars , but biggest difference in pups are between Anderson Drop Top with powerful H1/H3 humbuckers and YJM Fender with lowest single pickups output on the world ever .
Difference between two guitars is so obvious that high gain metal profile played with Drop Top almost becomes nice vintage crunch with YJM Fender ! (keeping everything the same in profile)
As a reference , YJM input is set on 8 and DT is just above 3 .
The same difference is much, much bigger with Kemper than with real amp !Among lots of other fantastic surprises with Kemper , this one is my favored .
One particular profile is not anymore just ONE profile , it becomes 5 profiles if you use 5 different guitars .
That was your problem , and now it can be advantage, depending how much guitar you will play through that mad device !
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Back to original question , I have Event Thyroids 8" studio PC speakers and QSC's 10" monitor .
Difference is also very notable . .
I have to do some serious tweaking to make it to sound close , but they still sound different .
Some profiles simply shine through one , but not so brilliant through another setup .All of that is then completely different if played through my valve amp and Mesa Cab !!!
The best thing is when I engage them ALL in the same time
My poor guitar playing sounds like a London Symphonic Orchestra , make me think I know two or three things regarding guitar technique and sound -
if you do refer toggle #cc switch number 12 , that's how I did it , exactly .
(I have only 6 toggle switches ,btw)
more, on my historical Bigfoot Trex midiot pedal , I can define #cc position as a global (for all programs) or individual (just for specific one) , which is nice thing .
so give it a try , it is nice to see how Kemper stopms get switched on and off by using foots instead of hands.
hands are for guitar , not for bloody magical device