Posts by flitzefinger

    Hell Yeah!


    These are the kind of videos I show to my grown up guitar students, when they complain: "Oh, my hands are too small" or "That barre chord hurts my fingers"


    I hope those videos encourage more girls and women to pick up the electric guitar and rock! Still 90% of my guitar students are male.

    It would make my life much easier, if there was a Dropdown Menu (like the "sorted by..." in browser mode) when renaming Slots with:
    "Acoustic"
    "Clean",
    "Crunch"
    "Drive"
    "Rhythm"
    "Distortion"
    "Lead"
    "Intro"
    "Vers"
    "Refrain"
    "Bridge"
    "Interlude"
    "Solo"
    "Outro"
    ....


    Or the user can save his own naming conventions.


    The third button above the screen is not assigned to anything, when your on the renaming page. A nice place for this application. ^^

    Hey Bert,


    sounds cool, too. I found the sound result for a 1000€ guitar pretty nice, although I played lead pretty harsh.


    Did you ever try an electric with piezo through your profiles? Or in a live situation before you had the kemper? I used to have a MusicMan Luke II but the body and frets were confusingly small, when changing from Siggi Braun Signature.

    Hi Folks, testing Berts Acoustic Profiles with my piezo loaded schecter c1 e/a:


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    I used Berts BM AC Aurora 2 strum profile. Didi anybody of you tried it with an e-guitar with piezo? Which acoustic profiles do you use?

    The Brigde PU on my new Schecter C1 e/a startet to feedback uncontrolleably at fairly low gain settings. "This guitar is not made for metal" was my response from the german schecter distributor. And I know he´s right. But I had my local guitar shop repair man remove the cover. He found chunks of wax but not were it should be. He cleaned the pickup and put some new wax at the right place and left the Pick Up cover in the draw. Well, what can I say: It can metal! :D


    I found in mbritt´s custodian a nice companion for my c1 Humbucker and Bert´s Acoustic Profiles for he piezo sounds are also great.

    1) 69 Marshall 50 G7 (Bridge PU) Strat in 69 Marshall Pack (yeah, i know it´s a surprise)
    2) Marshall solo ++ (Neck and Bridge PU) Strat in Mbritt Pack 1
    3) Dumble CLN $+ ( Neck and inbetween bridge 4 way switched etc) Strat Mbritt Pack 2
    4) Victory VX Kraken (Bea's own profile not MBritt) PRS guitar is Bea´s own profil not MBritt ;)
    5) Matchless SC30 BC6 -PRS coil split middle position + Bridge i think Pack 1 as well

    For natural overtones you should take the ones that are on 1/2, 1/3, 1/4, etc of the stringlength.
    1/2 = octave (12th fret on open strings)
    1/3 = Fifth (7th fret on open strings)
    1/4 = double octave (5th fret)
    1/5 = third over double octave(4th fret)
    1/6 = fifth over double octave (3rd fret)


    etc.


    But, by any means: go wild on the intervalls


    I use the double octave on (of course) Killing in the name of and set for that song the rise and falltime to minimum.

    So, NAMM is over and a some products made I found to be very nice. Digitechs FREQOUT Pedel for example. You press it and it let´s your note go into what sound like a natural harmonic (5th, 8ve, etc). What I couldn´t replicate was the neverending sustain of the note to make up for an ebow. But the transition from the note to it´s "harmonic" sounds pretty convincing with these settings:


    Put a chromatic Pitch stomp in slot A
    Set Voice Pitch 1 to the desired harmonic (e.g. 12 for octave)
    Engage Formant Shift and set it to a negative amount (e.g. -3.5)
    Set Mix to -50
    EDIT: Don´t forget to set the voice balance to -50!


    Now the the morphing part:
    In the RIG Settings page 5 set Rise Time to 1/2. And enable Tempo on page 2 (80bpm it is at the moment). This way you can change the rise time with the TAP Tempo button of the remote
    Select "Momentary" on said page 5
    Go back to the Chromatic Pitch Stomp page 2. Press and Hold the Switch (1,2,3, 4 or 5 - whereever your current rig is)
    Set Mix to +50. Done


    I raise also the gain when morphing is engaged the prolong the sustain a little.


    Please forgive me for wasting your time, if someone else already made up something like this. :whistling:

    Hallo Mario,


    bei den meisten der neuen Delay Presets brauchst du nur den MIX (Lautstärke der Delays) und FEEDBACK (Wiederholungen) abzusenken, um die und schon sind sie nicht mehr so over the top. Sagen wir mal 30 für Mix und Feedback.


    Wenn Du kein Legacy Delay nehmen möchtest, dann such´ Dir über den TYPE Drehregler einfach ein Single Delay und dann z.B.:


    MIX: 30
    NOTE VALUE 4/16
    FEEDBACK: 30
    REVERSE MIX: 0
    LOW CUT: 0
    HIGH CUT: VOLL
    STEREO: 0
    CHORUS: 0
    MODULATION: 0
    FLUTTER: 0
    FLUTTER RATE: 0
    GRIT:0


    Die fett gedruckten Werte sind die, die "Specials". Dreh sie Dir mal alle nach einander rein, um zu schauen, was sie machen. Die meisten sind selbsterklärend. Wenn Du dabei den Mix auf 70 oder 80 setzt, hört man eigentlich sehr schnell, was da passiert. Oder du schaust, was bei einem Tape Delay Preset eingestellt ist und senkst die Werte ab, die dich stören, wie z.B. Modulation.


    According to our developers switching to a different performance once should fix this permanently.


    Hi hj,


    after startup this morning, slot 1 still shows the wrong preset. Going up/dwon the performance preset solves the problem.
    If I shut down while being on slot one, that same slot is display correctly in slot one after reboot. If I shut down on while being on slot four, slot one shows slot four. I can recreate the scenario every single time.