Yes, thank you. There was a discussion about this in the recent past, but I don't see why this could be an issue. The argument "theory is too difficult" doesn't hold up. Learning intervals is one of the first things a musician should do. And if you don't want to learn them, because you "do everything by ear", you can still build the scale using your ears and the numbers 0 to 11. Then again, this one goes to eleven!
Posts by ReinoutV
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ToneJunkie had some profile packs tailored for Worship, you could check his stuff out. He has a free sample pack available, which is huge!
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I had this problem with the latest update too, it was the first time an update over usb didn’t work at the first try. A reboot of my computer (MacBook Pro) did the trick, though! Have you tried turning it off an on again?
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Yeah. Or a tiny wireless USB dongle. I think that's more likely.
And it should be called the Konnektion.
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Funny thing is that many of us are talking about how convenient is the Quad Cortex with the touch screen and all... and all of a sudden there you go! Kemper has a touch screen. Actually a bigger and more responsive one.
We will see how it is implemented but I really think it is a great addition. I will make use of it NO DOUBT.
And the best thing is, you don't have to put the touchscreen on the floor, with the danger of stomping it with your feet (or spilling beer over it).
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Thank you very much!
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Display MoreHi all,
Sorry for my ignorance but I can't figure out a few of the amps in Pack 2. They are;
Lil Willie 22 & Lil Willie 50
Vickie Double D
ViKing
The rest I can understand from a quick google or some context clues, but those three I've no clue
Lil Willie: Little Walter
Vickie Double D: Victoria Double Deluxe
ViKing: Fender Vibro-King
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If you have 20 minutes to kill...
Great video, thanks a lot! It is interesting to see that you approach the refining process a lot different than for example Guidorist, who posted a video about the profiling process a little while ago. Do you think that with a little more refining, you can get the profile even closer to the original? I don’t want to start a discussion about sound or usefulness of a profile, just asking about the comparison.
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Did another video on a transcription that I worked out last year. This one is Robben Ford's solo on Misdirected Blues.
Using a Dumble patch from Michael Britt with just the gain dialed down. I was switching back between my version and the original and I think it got pretty close to his famous sound.
This is great playing with a great sound. Not only the profile, but also your touch is spot on! The link to the transcription is no longer available. Would you be willing to share the transcription, so that we can have a take on this great song?
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Are you dissatisfied with the UI of the KPA, or of RM? Adding a tuner to Rig Manager should be fixable with a software update.
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Hi Christof,
Have you check the cables, is midi out connected to midi in and vice versa?
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If this is the case, and it would be possible to send audio over ethernet, then a guitar input on the remote would be a possibility also, and so reducing the cable length to the Profiler.
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I would love a synth module too! It could be part of the current KPA, because it’s software based, couldn’t it?
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Yes, thank you! Maybe update RM, but please no hardware update!
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This surprises me because there are so many different public profiles available and it takes me a while to find the ones I like. When I say this I am even speaking of the same model of amplifier/speaker. I would think that if someone is refining with a guitar with hot pickups and another is not then that would have a bearing on the profile. Pickup height included. Of course, I have no idea and it looks like I was mistaken all along. Thanks Christoph.
There is (way) more to a profile, than just the amp: the speaker, or combination of speakers, the microphone or combination of microphones, the placing of the microphones, pre-amp, mixing technique, other outboard gear (eq and what not), refining length and what is played. This is what separates the profiles from each other, not the guitar used in the refining process.
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The dials should be in half-tones. -1 is a half tone down, not a whole tone. Have you listened to the result?
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This is already there. You can insert a transpose effect in one of the slots, or set the transpose in the rig menu.
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Check this thread: New overdrives in OS 8.0.5, but i don't see them?
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Without answering your first question: this is not the way to connect an expression pedal. The guitar goes straight to the input, there is a dedicated input for expression pedals in the back. I don’t know your exact pedal, so I can’t tell you what cable you need. The manual will tell you more about this.
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Thank you for your input!
This is exactly what I'm trying to do (RME as slave) but it doesn't seem to be syncing. I will have to check back page 6 of the kpa (in lockown now but I should be able to by tom or saturday - thank you for your suggesting
As to the kpa, I have a toaster which I purchased in 2012. May I ask what the deal is with pre 2019 units vs recent builts?
So, the problem is, that there is no sync? Could it be, you connected the cables the wrong way around, input to input? In the settings in your first post it shows, the RME should get its clock from S/PDIF, but after that it says “master”. The settings on the Kemper are correct.
When you set the RME to master (clock source internal) you should get signal, but with nasty pops and clicks. If that’s not the case, you could check the output settings (master button), to see what the KPA is sending over S/PDIF.
