Posts by ReinoutV

I wouldn't worry too much about a low input signal. As lightbox already said, electric guitars have a very quiet output by themselves, just somme passive magnets and coils. Have you tried to feed the dry signal back to the Kemper for re-amping, and what were the results?

Quote from jippitygem25

Exactly the same as what? The videos in the link I posted? Could be to throw us off since those go for under $2000 USD and he said this mystery amp was $14k

Yes. So you mean, the page you posted is not about the new Mystery Amp? Then, I'm completely off.

Quote from hafi19

Hey, as far as I know it´s a thing from 2018 and it was a Gibson Goldtone GA Amp!

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Yes, you're right, that's exactly the same! Why would they do that...?

It’s not a Dumble. They say it’s not boutique or hyped, so Dumble is out of the question. I don’t think it’s one of the big manufacturers, as only a few of us had played it.

The UK/US thing, and the 6L6 power amp do give clues, of course. The thing is, I still have no idea.

Thank you ever so much!

Thank you very much for your generosity, it is greatly appreciated!

Thank you very much, I will check them out later!

Maybe a stupid suggestion, as I don't know what interface you are using. Have you tried swapping left and right channels in Cubase, so IN and OUT are on the other side?

First things first: what do you want exactly? What are the connections you are making right now, how are your IEM's connected to the system (given by stage or by FOH or my separate mixing board)?

Send main output to FOH: buy two XLR cables and connect both of 'em.

FOH mix to aux input: the FOH board has a few auxiliary outputs, one of the could be connected (with a TRS cable) to the aux in of the stage, so you could monitor the stage via IEM and hear the rest of the band.

But maybe you don't want this at all, and you're looking for a different solution to a different problem :-).

I would advice to stick with the release versions, if you want to have the least problems as possible. As Burkhard said, the release version is a few below the version you installed. Especially as one who plays the guitar professionally and has to live from gigs an studio recordings, you would want a stable setup. The release versions always update without any problems, at least in my case. And I bought my Kemper back in 2012.

Edit: in the settings of rig manager, it's possible to switch between release and beta-versions. It will then only notify you of an update, if the new release version is available.

Subtractive eq is there, so that one does not run into clipping issues in the DAW. Also, to prevent one for the louder is better trap.

In your case, you're looking for clipping. And a lot of it! So, if it sounds good to your ears, and it works for you, go with it. As traditional and conservative as guitarists are, there are no rules.

Yes, and yes. The Kemper is only capable of being clock master, so the external clock won't work in this setup.

I don't understand the problem, you don't need #4, just switch from 2 to 3 at the right time.

Quote from paults

For the last note in the Key of C, you could Morph the harmony interval up one half step.

That’s only possible with a fixed interval harmonizer, not with one in a pre-set key.

I don't know exactly what you mean, but here's my take on it.

1. So, the beginning of the song is in C major. That means, that every D that's played need to be harmonized with an F. At the end of the feared melody, the same note D is in a different key (D major) and needs to be harmonized with an F#.

2. There is deemed to be some latency when switching anything, so you have to make a decision:

3a. Switch to a different performance (or morph the key?) before the last note of the fast run.

3b. Switch to a different performance before the run, and engage the harmonizer only on the last note. You can do this a few notes in advance, only after you've played an A (in C major it's harmonized with a C, in D major with a C#), if this is a note that is played in this melody (I can't recall).

3c. Leave if off ;-).

The F# is the third degree on the note D, which is the last note of the 'problem line'. It's not in the key of C (it has a minor third on the second degree of the scale), as are the other notes in this melody. So yes, you have to switch presets, if you want a major third on the D. Or you could morph the preset from C major to D major, but I haven't fiddled around with that.

The problem is, you need to play the F sharp in the second voice. There is no option to do this in the key of C (other than going lydian, but that's not the case here). You need the F (natural) in the lines before that.

Without tapdancing the only possibility is to switch the effect off on the last note. I'm afraid the only thing you can do is to make a second rig in D, which you switch just before the last note. Or, switch to that rig before the last run (with the harmonizer off), and turn the effect on only for the last note. The harmonizer doesn't add much on the fast run, it's all about the harmony on the last note.

I hope this helps!

I actually have an eq set in slot X, with a bit more mids and a little highs rolled off. I put the eq on a few dB boost and lock it (or copy it to every rig in the performances). I use the effects in the Kemper like an fx-board that I used to have. That way I can give every rig a solo-boost, when necessary.

I'm not 100% percent sure, but sample rate and clock go hand in hand. So a sample rate of 48 kHz means a clock of 48 kHz. The Kemper can't be a slave, so it has to generate the clock itself.

I agree, options would be great. I use volume and wah all the time. If there was a remote with expression pedal(s) available, I would buy it without hesitation. As of now, I'm sticking to my Uno4Kemper FCB1010, although it runs on 3 cables. Having the remote ánd two expression pedals connected with small cables is very finicky.