<p>May I know what is the purpose of getting the headphone? ie Mixing ? Or Pleasure listening? Rule of thumb is to get the lowest impedence with the highest sensitivity...</p>
<p>My personal experience ... I got a pair of Marshall Major with impedence 32 and sensitivity 121. this is powerful enough to drive the load even via i-phone since it come with low impedence. I endorsed it for the mid-range (if thats what you are after...) ... Bass response is meaty and less brittle </p>
<p>If you are using it for mixing, my suggestion is to get used to the frequency on the pair of headphone for pleasure listening by listening to more of your favourite hits/ mix on it ... You will know what kind of bass/mid/treble frequency it delivers and henceforth, you will mix it the way what the commercial songs delivers from it .. Of cos there is a school of thought that you can never get a clean mix via headphone, but you can sure get a good mix only when you are familar with the frequency with that same headphone ...Thats applied for studio monitor. When come to mixing , there is no right or wrong, what it matters its if it sounds good and translated well in common audio interface... Just some of my personal experience during my headphone hunt .....</p>
<p>Of cos, it sounds good with KPA ...<img alt="laugh" src="http://www.kemper-amps.com/forum/wcf/js/3rdParty/ckeditor/plugins/smiley/images/teeth_smile.png" style="height:23px; width:23px" title="laugh" /></p>
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