This is my high-pass mixing M.O. so maybe I shouldn't have shared that...
M.O What's that?
This is my high-pass mixing M.O. so maybe I shouldn't have shared that...
M.O What's that?
If it's for recording, use a multiband compressor or a dynamic EQ
Yes you can. Just right click on the preset(s)and choose delete rig. It doesn't matter if it was a preset imported in RM or on the kemper itself.
I hope we dont have any Jan Hammer haters here..?
Is it he who does all those lame movie tracks too? If so I'm a guilty hater.
Yes they have said a fuzz will come (probably shortly) but not that it would include a feedback setting which I think would be a great feature to build directly into the drive/fuzz effect rather than as a separate block.
Well, not everyone will use a fuzz so it's better if it's a separate block if you ask me.
I would love to see a feedback parameter added to the Kemper Drive and any new Drive/Fuzz that might come out in future.
Haven't they said that a fuzz drive will come eventually? But I agree feedback to the kemper users.
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3:43 Frank: What to do when he's playing his violin solo? I take a brake and light and smoke a cigarette
Updated to the latestest drivers, yes. What do you mean with "read all the time"?
Thanks.
Oh, I ment red of course
How about the input on the kemper? Does it hit read all the time when using high gain profiles? Have you updated to the last drivers on the interface? Does other users of the interface have the same or similar problem?
Have you checked spdif doesn't hit red in the Presonus software?
I did check that Fractal forum blocked some QC demos because paid videos are not allowed in that forum. Not the case in this forum.
Wasn't kemper disscusions at fractal forum erased, at least when kemper was new if I remember correct?
I think hes a shocking player...just seems otherworldly...often dismissed as purely a widdler but some of his stuff has some real emotion in it.
I think he's great. he's also not a bad person, just a diva...I see that is a bit of fun, playing up to the rock pretensions!
I remember buying the live in Japan video in 1984...yes...1984...and feeling physically sick watching his playing...never seen anything like it before and nearly gave up on the spot.
Graham Bonnet explains what it was like to work with him:
The one thing I'd really like to see happening is the ability to capture entire rigs including multiple stacked OD pedals. The Kemper can't do this realistically, yet, at least to my ears. I'm not talking about modulation pedals which would be impossible to profile because of their temporal nature I guess, but profiling multiple (static) stacked OD or boost pedals should be possible someday.
I think the Kemper is great for people who use profiles of clean or distorted amps without much pedals in the chain and rely on amps for breakup. I personally play high headroom amps which don't break up 99% of the time and I rely on pedals for grit. I have yet to come close to the sound I get when stacking my OD pedals through an analog amp.
True. When I compare a profile with a baked in od and the same profile without od and use my od, it sounds better than the baked in od.
Shabadabadia Babababa Tonni Iommi influence for sure.
Translated to english: where are my chopsticks.
as a player, in cover bands, for 55+ years. I’m a less is more player.
‘I find an Amp, a touch of reverb, and a little delay occasionally, covers over 90% , 0f the100’s of songs that I play
Od, amp, and delay for leads is all I need. Period. For coming up with new ideas I like sometimes playing with other effects in kemper.
This debate is similar to the vst debates. I want better VST's I want more realistic VST's, more realistic string library etc. So does it matter if you can't make a good song with what you have? Guitarists should worry more about being a good guitarist, creating better, or more inspiring riffs, nail that cover song etc than worry too much about the tone. The same is true in the VST world. I mean listen to the cheesy synth sound on Led Zeppelins All my love. It works becuase it's a great song. A great song is always most important. The guitar tone doesn't matter so much as guitarists like to believe.