That is cool! Marked for future reference.
Posts by nakedzen
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Loving the lead tone. Great job!
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Ah, now I can hear a slight digital clipping when I listen through my headphones instead of my monitors.
Sounds sort of similar to what happens when you have your sound card settings wrong, like when the internal bitrate (or something along those lines ) is set wrong between the hardware and software.
EDIT: Yes I can hear it in my KPA as well on the Acoustic profile of Ruppert through the headphone jack. Maybe some sort of foreign element during the creation of these profiles made them glitch? The rest of my clean profiles are clipping free. (ToneKing by And44).
I'd think the problem lies within the profiles themselves, since only some do this and they're the only variable.
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Now I think I can jear something in the clip. Does it sound similar to a snare drum resonating?
EDIT: No I take it back, it was just my kitchen door glass resonating from all the low end.
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Huh. Never thought of it that way. How does it teach you about EQ processing versus mic placement/distance or pre coloration? Just in terms of general EQ shapes?
How to get a certain tone with post eq during mixing.
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The reason I do tone matching is to learn how the track was eq'd. And just for the fun of it of course.
I'd never use a tone matched tone for recording, unless I want to record a cover song just for fun or something.
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I can't really hear anything wrong on the soundclips to be honest.
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Yeah I thought of that as well. I'll have to give that way a go.
The Legion Profile is on the exchange.
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I got it working. Didn't get really a matching tone though, but I think it's a pretty good tone on it's own right. I used Lepou LeGion for the amp sim.
I can put it on the exchange if anyone wants it?
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You must eq match a software modeler or plugin and then profile it.
Yup, already tried it but now I'm running to a problem of "no external amp or volume is too low" error, even with the track volume maxed to +12 dB, and the track meter going into red.
EDIT: Just realized I should've adjusted the return level, d'oh.
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I was trying to figure if it's possible to do this by finetuning an existing profile with the match eq, but I guess that's not possible.
So I guess my options are either profile an actual amp with the match eq on the track in the daw, or just create the match eq curve and try to copy that as well as I can to the studio eq on the KPA.
QuoteI
think you can still eq match the album. Just match your riff with the
isolated guitar riff then save the eq. Now play the whole song and use
that eq match on it via vst.Yes, I know how to eq match inside the daw. I'm trying to create a profile that I can carry around inside the KPA.
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I'm not sure what you mean? I'm not using the cabmaker program in any way for this.
I think I know what's the problem, I'm trying to do this without an actual amp to profile. The album match eq'd profiles were done with a KPA-amp-cab-mic-daw-Ozone match eq-KPA chain.
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I know it's possible since I've seen profiles like this.
I tried doing this with Ozones match eq, by first recording a bit of the riff I'm trying to match, then created the match eq curve in Ozone, then profiled this eq curve and saved it as a cab, but it's just not there. It's way too much of a DI cab emulator sounding to be useful, obviously because I can't have both the cab profile I used for the match eq, and this new one, on at the same time.
Any tips on how to do this?
Let's say, I'm trying to get the new Kreator album tone. I know they used a mix of the EVH head and an Engl of some sort. There's a soloed rhythm guitar on the title track so that part is easy.
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That too, but it would be awesome to get rid of the usb altogether. (I have to insert the usb stick onto mine like 4-5 times everytime before it recognizes the stick).
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Guys who are getting this, where do you have set your channel volumes?
Afaik, aliasing is introduced into audio when the bitrate lowers and headroom runs out if the volume is ran too high. (At least that's what I gathered from this video):
http://www.youtube.com/watch?v=oJ6M-JDyeXU
It could be I didn't understand his lecture at all though.
EDIT: Now that I think about it, just making sure your output doesn't clip should prevent the aliasing he's talking about in the video.
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Thanks a lot for this! I'll spend today checking these out.
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Any way to develop a phone app for uploading rigs to the Kemper in a similar way as you upload new effects to the TC Electronic Toneprint pedals?
If you're not familiar how this works, you pick a toneprint from the app, put your phone next to your guitar pickups, the app plays a series of modem sounds or something, and this uploads the info into the effect pedal. This would essentially get rid of the need for a computer or usb memory sticks.
Here's a video on how it works:
http://www.youtube.com/watch?v=vMt_0WVx9XE -
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Kiitti! Nämä täytyy testata.
Greetings. Here's my small contribution to bring you the sounds of old, more or less obscure and forgotten amps.
-Dynacord Twen combo with vibrator, '69-early 70's
But what's all this then^