If you are talking about the ambience (delay and verb) try high repeats and feedback on delay and cavernous reverb both with a low mix level. Stacked delays with conflicting repeats (times or division) would help but not possible on the KPA without another pedal in the loop.
This may help
Posts by Delinquent
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You need to experiment to see what is best for you. If you use the post amp effects for particular sounds you may prefer to use it after the profiler like I do. You probably know the Ditto is a mono looper, but this may be something to consider if yor using 2 Dxr10's. If that's the case the jamman express or upcoming ditto x 2 may be a better option.
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Fastredpony's gainy profiles are definitely a cut above the norm, love his nitro sag
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Hi Rick, still chasing tone!
Just a thought, balancing a warm clean tone across all six strings can be a mission. About 15 years ago I was trying to emulate John Mclaughlins tone on his recording After the Rain. I was relatively successful when I replaced the high b and e stings with next gauge heavier combined with the required reduction of the tone control and again a touch of chorus( barely noticeable).
Good luck.
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I use mission pedals EP1 and SP1 (has a toe switch). Work well, built well, a good choice if y
Ou prefer the feel of a traditional wah pedal. -
Mac user here and a little disappointed about the librarian but compared to no KFC totally bummed.
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^^^^^^^ on the wait list, this could be great answer for many men, hope they deliver stellar tone at the right price.
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If I am playing just the guitar not involved in any mix I find I have to lower the hi shift in the cab parameters just slightly on 90% of profiles to satisfy my ears. This removes unpleasant hi frequency nastiness to my aging ears.
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Spring reverb, dedicated foot controller and un/ redo and the KPA is a fully fledged adolescent.
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Unless there is a need for closed back cans for tracking ditch them.
Fatigue is greatly reduced with open back IMHO.
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You @#&%'s, lynx hilo = new gas. Please let us know how it works out for you.
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FCB with a chip is a good low cost option but is just too big. Others are either hard to get, over priced and a pain to programme (for midiot's like me).
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Fastredponys nitro sag and Klon boost ( i think as i have also renamed) for hi gain mania.
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Anyone care to have a guess to the cost of the KFC.
CK has mentioned he wants to keep it reasonably priced as compared to the Axe one if memory serves me.
@ 3 - 400 eu ?
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Mostly stereo loop x slot but it can be fun before a slightly dirty amp as well.
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Told wife that there will be Know Xmas presie for me this year, funds are to be put aside for the KFC RELEASE!
It's gotta b Namm or Musikmesse 2014 surely.
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Presonus are certainly coming along with their co-actual range. I love it when corps invent new names for an old technology or am I mistaken? Any how their co- actual studio monitors certainly caught my attention and these too certainly are worth a test drive.
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Just need to pitch in again, I own a lot of headphones from cheap to expensive. The HD280's which I use when recording with a mic as they don't leak are adequate. But please try some open or semi open back in your price range first. I would start with AKG 240 semi opens.
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Unless you have a specific need for a closed back design I suggest open back. They leak sound but are not as claustrophobic and can provide a flatter response.
All headphones will work with the KPA but not necessarily well. High impedance and certain coil designs that are hard to drive May require further amplification for optimal results. As an example I have a pair of 64 ohm AKG 702's that sound quite brittle through the KPA's dedicated headphone out but brilliant via the main outs then through a headphone amp.
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Do both, no complaints that way