I've found the vibesware GR 1 intriguing, but it Seems it is no longer made.
bummer, doesn't seem so long ago that i got mine. too bad...
I've found the vibesware GR 1 intriguing, but it Seems it is no longer made.
bummer, doesn't seem so long ago that i got mine. too bad...
this thing is pretty cool
http://www.youtube.com/watch?v=P60KNg514Z8
meanwhile you can get full string feedback with a monitor, even full range, tho i've had better results when using cabs off into a real cab etc
companies are only legally allowed to release one product at namm, it's part of obamacare...
this just in: white kemper still moar vintagy
Christoph Kemper wrote this in the problems & trobleshooting part of this forum some time ago:
It's just a guess, but maybe this is what we hear. Anyway I hope this issue will be solved very soon. In the meantime I'm rolling back to 1.5.4.
sensitivity to low frequency string noise at high gain
the issue in that thread has not been addressed, so no. even if it had been, it would only affect very low frequencies and hopefully only in the dynamics processing...
but folks will continue to assume whatever they want, sometimes even after confirmation of evidence against it...
Its becoming painfully obvious that my personality doesn't quite fit in with this forum
hehe don't worry my demonized droogy, nobody fits in here, this the island of misfit toys...
hehe at first i was thinking "wtf? miles sample sounds just as bad as old versions," then realized soundcloud is playing the old files also. i get similar to results to his 1.6.0 sample with the same stock profile as before (JMP77-001). i had spent some time making sure to use a stock kemper profile. most of the time it just seems like there's extra "stuff" that doesn't belong, kind of like looking thru a window that isn't clean but you don't notice the dust. with ebow it is more easily distinguished...
i upgraded from 1.52 with no issues. i had never installed 1.54, have 500ish rigs installed (even this is way too many)
it is much improved, but yeah, i can still hear it too. it is more difficult to reproduce as well as less obvious when it is found, and it seems unlikely to bother me during regular playing now.
no doubt even after test tone files demonstrate it clearly, deniers will still insist that i can't hear it and the world will continue to flop around the sun...
oh boy oh boy oh boy, yeeeeeees!
can't wait to try it!
http://www.youtube.com/watch?v=vfbcVbcBobs
no those are combination tones, which are audible with pure sine waves in air, completely different and unrelated phenomenon.
aliasing (in this case i think the correct term is actually imaging) can be described as frequencies above 1/2 sample rate (the nyquist frequency) reflecting downward off of this limit. this is what makes them obvious to me in the kemper, since the artifacts move in the opposite direction of pitch, so bends up have downward-moving artifacts. these come out quite strongly with the use of feedback. i have never ever heard anything remotely like this in any real tube amp. if you don't use string feedback, try an ebow, it exposes the problem quite easily on medium gain settings. once you identify it, you will begin to hear it in less obvious settings... if not, ignorance is bliss...
more info here: http://en.wikipedia.org/wiki/Aliasing
agreed. in fact it seems to me if folks want an all-in-one amp/fx box, the axe is the way to go. that is it's reason for existing, after all. i prefer that the kemper continue to focus on the amp part first...
"tone matching is the same thing as profiling, but we still need to add something else that will instead be the same thing as profiling"
woohoo 3 now, i'm surprised there aren't more chiming in. i'm in arlington
what? can you talk a little louder? i can't quite hear you...
my house has never been robbed. here's a picture of my house not being robbed.
[Blocked Image: http://www.iwantoneofthose.com/blog/wp-content/uploads/2009/08/lego-house.jpg]