Always works great here for 12 years
Posts by kriswylde
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That would be cool the pickup simulator
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yes i profile my amps and put amp settings in "comment"
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Looks like it's only for the Stage
would be cool if theres a workaround for our old Toasters -
Can the Kemper Fuzz get some Big MUFF type fuzzes , that would be swell
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I bought these profiles. They are great very professional .
Listened to the demos of Money , Comfortably numb, they don't sound like the Gilmour tones unfortunately.. Would love to find some good ones
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yes to which question Kris?
To the question the original poster asked
Did you really need more fuzz effects?
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Where did you get the presets ? i can't find them
Found them ...
Great news
Heavy fuzz user here !
here are the new presets :
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I would hate to be a manufacturer of anything today, everybody keeps whining and wants a different options for minor things .
When the tuner was # I never complained, and lived with it and never had a problem using it but i do prefer it flat b but its not a major issue..
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I update in RM all the time without any problems and my Kemper is from 2012
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+1
The Celestion K12H-200TC is similar.
The high end is totally different from the Kone !
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where are you getting the demo profiles ? cant find them
68 PURPLE PLEXI : I have tried the free profiles and must say it works with my Suhr Modern with humbuckers but not with my Fender Tele or Strat. I am missing the bottom and mid-low end.
For the Suhr I have to tweak on the amp parameters to get a good tone. The free profiles - as given - sound perhaps good for the Sunday morning church, but have nothing to do with Rock, the purpose this amp was build for.
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Why didn‘t you put the AC into the stereo section.
It has a nice stereo effect on it already.
Too much?
I also find it too much, but a mono to stereo parameter /knob could be useful
Letting us decide how much stereo spread we want
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i definitely noticed that too. Our minds are amazing things but they do often play devious tricks on us ?
They are amazing and sometimes close minded by habit or expectations, so we must not be scared to venture into uncharted territories with preconceived notions or fear
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Yup, that's the next story.
It has been requested for a long time.
How do you like it?
It's great thanks , but It would be useful the High LOw cut not being a Global output and not affecting the Kone section of the profile ,
example , I don't want it on the Kab Kone section of the profile, I like to keep the low end there on stage or tweak it as I want , so maybe have a separate High Low Cut just for the Kone section itself that is not affected by the GLobal High Low cut , that would be awesome, if possible !
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Display MoreHi praise indeed - thank you sir! I used the bridge pickup on all three and rolled the high end off a little with the tone pots. Kemper signal chain was simply: Guitar > Kemper > AS > PureBoost > Legacy Reverb > Output EQ
The AS settings used for the Tele I notice now were slightly different to the others, with more body as below:
kemper-amps.com/wbb_suite_3/index.php?attachment/12164/
(I didn't use the compressor you can see in the chain)
My past experience with other AS pedals was that the low end was left lacking while highs were over-hyped. Assuming you have some quite narrow-band filtering going on (in place of harmonic synthesis) I elected to go big on the body control - perhaps too much so - then filter off the low end afterwards. The other guitars had the Body control set to +3.5 rather than +4.3.
Legacy Reverb (still my favourite):
The output EQ on the Kemper was set to
Bass -2.0
Mid and Treble 0.0Presence -0.8
The Pure Boost was set to +5dB. It would probably make sense to have another one in there. After recording the EQ I applied was as follows (see labels above each for Tele, Strat). The most notable bits:
- Tele has 800 Hz cut reduce some of the quack (and this one really can be quacky)
- Eggle may have benefitted from a flatter low end listening back, taking our that relative peak near 200 Hz (I wasn't taking a huge amount of time over this)
- Overall I clearly needed more top end, so should have done that at source
- High Pass filter for all is set to 106 Hz to clean them up
I'm sure some of the EQ moves partially undid one another as I carried on tweaking, but perhaps it's worth noting that this was genuinely my first go with the AS and I dialled in settings just before recording the tracks with each guitar. I spent as much time adjusting the sound of the Taylor to get it sounding right as I did the electrics, which is interesting. I also spent more time enjoying playing through the AS than tweaking it, which is a good test to pass. Monitored through a set of Genelecs, checked on DT770 Pros and a Sonos Beam. The latter is surprisingly good at highlighting issues.
All the best,
Ed
I haven't done a video , but compared my higher end Takamine plugged in , its still a Takamine
but always did the job live , and got really great results with my Strat lowering a bit the Tone knob also , that i'm never gonna bring it to a gig ever again!One thing i did noticed is, playing an electric guitar affects how I perceived the sound obviously, but when I listened back without playing , it sounds like an acoustic plugged in no doubt.
One thing i think that helps for me also is I use 11's on my guitar with a high action so i can play harder a bit like on an acoustic
All in all, i think this AS is really great
Thanks Again Kemper for making my life with less things to carry . Now if we can start gigging again
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Thank you Kemper team
My Profiler just keeps getting better and better ....
This acoustic sim sounds as good or better... than any takamine acoustic guitar i have used in the past live.
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I have 11's on my strats and there is definitely a difference in tone from say 9's
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And you printed yourself the Kemper Logo, because it seems the real one? Very cool. That's why I asked actually :-).
The cabinet is at the moment not available, only the speaker can be ordered, so I think of taking a Palmer empty cabinet or something simillar and mount the Kone speaker into it.
