Or, if you want it to sound more like your studio monitors:
In the output section, make sure Kemper Kone is ON, and Monitor Cabinet Off is NOT Enabled.
Posts by paults
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You can try programming a Kill Switch like this, but, no one's foot is as fast as their picking hand:
Morph Rig Volume down to nothing. Set the Rise and Fall time to Zero.
Use a Morph foot switch instead of an expression pedal. Set the Morph foot switch to Momentary.
Tap that footswitch really fast
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My guess is that the other guitarist, with the Les Paul Standard, palm muted, and played it with his pick.
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Welcome!
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There are a lot of things going on.
Which sound? The fast tremolo keyboard thing? The pluck the string on the headstock? The fast muted chug?
Something else?
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The ratings on the Rigs I have posted to Rig Exchange range from 0/5 to 5/5.
I'm fine with that
And, when I am looking for Rigs, I like the Ratings - especially when taking in consideration the Number of Users who have rated the Rigs.
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The formula is correct if your MIDI controller (or DAW) transmits MIDI PC 0-127, Prg#0 Bank #0 = Slot 1, Performance 1
http://midi.teragonaudio.com/tech/midispec/pgm.htm
"It is the program number to change to, a number from 0 to 127." "many MIDI devices display their Program numbers starting from 1 (even though a Program number of 0 in a Program Change message selects the first program in the device). "
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Welcome!
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Welcome!
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Welcome!
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Welcome!
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Yes.
BTW - The Administrators for this forum do not want people to use ALL CAPS.
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If you would like more information about all the available options for Pedal set up, look in the OS 8.5 Main Manual, beginning on page 278.
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Since so many other people are able to use them, it may have something to do with the specific rigs you’re choosing, or your gate may be set too high, or your clean sense and distortion sense settings may need to be adjusted.
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- CONTROLS -
LOW Knob –The LOW knob is a volume control for the low or bass frequencies. The further you turn the LOW knob clockwise, the louder the low frequencies will be. The LOW knob controls the output volume from the Knockout’s 7-Pole Low-Pass Filter. The low pass filter has a fixed cutoff
frequency of 85 Hz. The LOW knob is responsible for contouring the bottom end in relation to the total sound.
DRY Knob – The DRY knob is a volume control for the signal present at the Input Jack. The output volume of the dry signal will increase as this knob is rotated clockwise. Use the DRY knob in conjunction with the LOW and HIGH knobs to create your tone.
HIGH Knob – The HIGH Knob is a volume control for the high or treble frequencies. The further you turn the HIGH knob clockwise, the louder the
treble frequencies will be. The HIGH knob controls the output volume from the Knockout’s 6-Pole High-Pass Filter. The high pass filter has a fixed cutoff frequency of 6.5kHz. The HIGH knob is responsible for contouring the high end to the total sound.
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It would be interesting to look at the EQ curve applied by the pedal, and then see if you can match it with the Advanced EQ.
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Can you post an audio example so we can hear the "crackling" sound?
