When you power up the Stage, and switch to Rig Mode, the last Rig you used when it was turned off will be loaded. When you switch to Performance Mode, the last Performance Slot you used will be loaded.
Posts by paults
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Can you give an example of your definition of this type of pedal? Tubescreamer (tube in name only), Butler Tube Driver (an actual tube, but run at reduced voltage),a full-voltage tube preamp, something else?
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If you are looking for something in particular in the manual, remember the PDF can be searched
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Welcome!
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Why not just get the original one -- Gibson P90 if you want a P90?
P90 pickups require a different shaped hole in the guitar.
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If you install four push/pull potentiometers, P-Rails would be very versatile.
if you just want the sound of P-90s, I have heard good things about Duncan Phat Cats
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I just realized who started this thread - Greetings, my friend!
Three Tips, Round 2:
If you are going to play through IEMs or Full Range monitors, and want profiles that sound the most like your favorite amps sound like when they are mic'ed up, make Studio Profiles of them. Most of what I use live is my own Silver Jubilee. I've posted some on The Rig Exchange, a well as some of a 1967 Deluxe Reverb that I used to own.
If you are going to play through guitar cabinets, you can either use/make Studio Profiles of your own amps, and turn the Monitor Cab OFF in the Output Menu, or use/make Amplifier Direct Profiles, using a speaker level direct box, and use the Monitor Out to send to a power amp and speaker cabinet, or the Speaker Out to send to a guitar cabinet.
If you are planning on sending a DI to FOH through the Main Output(s) while playing through guitar cabinets onstage, you can either use Studio Profiles or Merged Profiles (both with Monitor Cab OFF in the Output Menu).
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The formula I found for Parallel impedance on multiple websites:
I = 1 / (1/X1) + (1/X2)
I = 1 divided by (1/8) + ( 1/16)
I = 1 divided by 3/16
I = 1 divided by .1875
I = 5.33333333
BTW - if the two cabinets DO have the same impedance, the same formula simplifies to one half of the impedance of one of the cabs:
Two 8 ohm cabs in parallel = 4 ohms.
https://calculator.academy/speaker-impedance-calculator/
https://audiouniversityonline.…e-with-multiple-speakers/
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EDIT: I was using the formula for resistance. It only works for impedance calculation when both speakers have the same impedance.
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Thank you!
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I think one way to do it would be to assign the pedal on your MIDI controller to CC 7(Volume), and Link Volume to Wah in the Pedal Menu. Or, I think you would be able to Use CC 11 (Expression) for Morph, and select Morph to Wah.
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You could use a Looper pedal that allows storing of loops in multiple banks as a Sample player. For example, a Boss RC-500.
If I was going to do that for playing samples, I would send it directly to the FOH/Monitors. I wouldn't route it through the Auxiliary Inputs of the Profiler.
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I just want less compression on profiles… and a more realistic amp like attack.
My opinion, if you turn up to the same volume you’d use with an amplifier, you’ll get what you’re looking for.
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Greetings, and Thank you!
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I use water on a towel, or Dunlop 65.
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AndWelcome to arcticlife !
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Welcome!
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1 The Factory Content Profiles that are in the Profiler when new are volume balanced - use them as a reference to set the Rig Volume of any other Profiles you will be using live. This will help prevent volume jumps when changing sounds.
2 Download the Main Manual. It contains much more information than the manual supplied with the Profiler. If you are looking for something specific in it, you can search the PDF file (Ctrl+f with a PC).
3 Keep asking questions on the Forum. Forum members are very helpful, and use the Profiler at all levels of live gigs.
How will you be hearing it live?
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Go to the System Menu, and advance to the last page.
