🤔 hardware switch?
From what I remember, yes.
Posts by paults
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I was just wondering why it's working that way.
It works that way because there is a hardware switch built into the front panel input that bypasses the rear input when a guitar is plugged into the front input.
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Display MoreHello,
You can connect your microphone now directly into the KPA so there must be a preamp processing. If you want to use another mic preamp how do you do? You use another input?
thanks
alexsunny
If you want to Profile Amps using an external mic preamp:
✓Connect the output of your microphone preamp, to the RETURN of the PROFILER (use the quarter inch input). PROFILER Stage users should connect to its balanced TRS RETURN.
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Yes, you can. You can drag and drop them into any All Presets/Local Library/ folder. My suggestion is to make new folders, to keep them organized.
Once they are in Rig Manager, you can audition them with your Profiler, and/or drag ad drop them into the Profiler (All Presets/My Profiler).
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waraba brings up an important point for anyone trying to get vintage guitar sounds.
With non-master volume amps, the guitar volume knob is the gain control.
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Looks like a Fender Twin and a Boomerang or Clyde Wah will give you the sound:
Charles "Skipp" Pitts whilst tracking the film used a Maestro Boomerang BG2. Whilst recording the album he used a old Crybaby Clyde McCoy style.
Skipp:
With Isaac Hayes and at Stax I used a Les Paul and 335. I played a Les Paul Custom on the “Theme From Shaft.” I was using a Fender Twin Reverb and Maestro effects.Guitar Player, the guitar mag for grown ups, July 2011 issue has an interview with Skip Pitts and they talk alot about how the whole Shaft session went.
'I had a Maestro Boomerang wah that I was using on the road. The 'Shaft' part was created because Isaac needed something driving for the beginning of the movie, when Richard Roundtree is coming out of the subway and walking through Times Square. Isaac has drummer Willie Hal lay the sixteenth notes down on the hi-hat. While Willie was doing that, Isaac was searching for something to put with it. I was checking my pedals. I tested my overdrive, my reverb, the Maestro box, and then I started in with the wah. Isaac stopped everything and said 'Skip, what is that you are playing?' I said 'I am just tuning up.' He said, 'Keep playing the G octave'
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Thank you!
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Screen real estate is already an issue.
That is a good point, if you are using a single monitor.
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You can open a second RM window, place it near the "main view" and simple drag presets in.
That is what I am doing.
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It is a Series Output.
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And, the other Commercial seller's website indicates:
Profiles are sold as a single non transferable license for use by the original purchaser.
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Well, if it is coveted - Reverb? Ebay?
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How does one add a unique rig tag? Or was that theoretical.
You can add a Comment in many places. Or, the name of the Rig could contain something unique.
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It would be possible to put a unique rig tag, or if really ambitious, the Name of the Profile creator could be altered for each Rig sold, and it would be something that could not be edited by other users, and could theoretically be used to backtrack a shared Rig.
A free Direct Profile prototype of this amp was initially offered by the profile seller to the first person who responded to his post. I happened to be riding home from a road gig, and looking at the forum when he posted the offer. Here is what that prototype rig sounds like, with a Tils 1960 Cabinet, miced with an SM57, added.
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Great - thanks for the clarification.
Alan - sorry for one follow up question.... If I understand you correctly, you can set a global speaker imprint which will come into play through the Kone on every single studio profile you use if you are browsing?
If you wish, you can overide this in any particular rig and say 'I know my default speaker is a Celestion but for this rig I want Jenson' and save it with the preset? Or you can alternatively tell it to forget being in Kone mode for that one rig and tell it instead to go full range / use the entire chain as per the original profile? I think that's what you're saying - sorry to labour the point but just wanting to make sure I've got this.
Yes, you have this. That is how it works.
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accidentally destroyed a tube amp trying to troubleshoot this nightmare Kemper floor with no help from Kemper. Trying to get SPDIF working with my Apollo twin. Going in and out of an Optical-Tendak-Bi-Directional-Converter-Splitter.
How did you destroy a tube amp with a Profiler?
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how this all ultimately ends if we continue in this direction.
Profilers are a great tool, and they work very well. Nothing any other company does can make them stop working.
