Posts by paults
-
-
Yes - a Hamer counts as a Les Paul. I had a triple pickup Studio Custom that was a better Les Paul than my Les Paul
-
-
Welcome! Those "in between" sounds are in there, especially if you use the volume knob on your guitar to access the gain range of a Rig. There are some Vibrolux and Morgan AC20 rigs that are sparkly clean with the guitar backed down, but transition from there through soft distortion to old school dark and bluesy.
-
+1
I think that would be a great addition to the KPA window view in RM.
An alternative to that idea would be a "drag and drop" Performance Mode window - it would already have the 128 program changes built in.
-
Flat wound strings will track as bad with your Roland as an old dirty dull-sounding set of round wound strings. They will really, really, mess with your guitar tone.
Are you trying to improve the pitch accuracy, or the speed of tracking?
A heavier gauge of round wound strings would likely have a stronger fundamental frequency than your current gauge, and that can improve the pitch accuracy.
Unfortunately, the tracking speed cannot be made noticeably faster by changing strings. The tracking delay will not get any shorter - but, the note will be more accurate.
-
Whether THEY hear or not:
+1 to "Like". After all, there are 17,891 Facebook fans who "like" Kemper Amps.
-
Even if you will not be controlling it with a pedal, you can still add the wah to the Rig. You can set the position of the pedal in the wah settings.
-
Welcome to all this!
-
Thanks!!!
-
Thanks! I'm looking forward to trying them out:)
-
Welcome!
I use a pair of LSR305 for my studio monitors. JBL did a good job with this line of speakers.
-
Thanks, folks!
Agreed about placement/proximity, and about even less low end for guitars when mixing a recording. I usually track the guitars with "normal" low end, so they feel good to play, and then roll it off of each track to suit the song when I am doing the mixing.
-
Welcome!
Besides finding some giggable sounds right away, be sure to make some profiles of your VHT when you have a chance. That way, you can have it in your IEMs, anytime you want it. in addition to as many other amps as you would like use. My main gain sounds are rigs made from profiles of my old Marshall Jubilee (I've had it since 1990 or so), with a couple of different cabinets and mic combinations/placements, and different amounts of gain. When I'm not using the Jubilee rigs, I'm using other Marshalls, several Fenders, Vox, Matchless, Roland, some pawn shop quirky amps, and some things that don't sound like a guitar at all.I'm 186 miles (299km) south of you, in Columbus, Ohio. Do you play anywhere in Ohio? Our northenmost gigs scheduled at this point are Toledo in July, Maumee in August.
-
Thanks!
If you are used to low end like a 4x12 cabinet with your 12s, you would likely need to add some lows to the 8s to get the same sound (but, they could handle it). When both speakers are set to "flat" response, the 12 has a noticeable amount more low end than the 8 with dance music. They sounded pretty much the same to me from the low mids to the highs.
BTW: My DXR10 is scheduled for delivery tomorrow.
-
Those are great prices. If I didn't have a CU22, I would have bought a PRS today.
-
My great grandparents were born in the Swiss Alps and the Black Forest, but the only German I heard at home was expletives and slang. I studied German for a year, back in school - I surprise myself by remembering it, sometimes
-
Most Variax conversions are made with parts from a used Variax guitar. I put Variax 500 electronics into a PRS SE several years ago. I sold it when the rest of the Line 6 gear went away:)
The parts are not all that expensive -
Typical USA selling prices:
The original Variax 500 = $300 to $400
The 300 and 600 = $250 to $350 -
I blame it on his Voice to Text software:
Österreichische = extraterrestrial
-
Which EQ setting is active in the DRX12? Are you using like a floor monitor, on a pole, or on the floor like a guitar cabinet?