Agreed- they do all that, and more
Posts by paults
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Look for other rigs by Ruppert - he has some really good ones here.
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From the Rig Exchange - search for JOPTUNES :
Coyote Boost Coyote Mojave2X12 JOPTUNES 5.00 / 5.00 April 10, 2013
Coyote Coyote Mojave2X12 JOPTUNES 5.00 / 5.00 April 10, 2013
TWRocketRF TW-Rocket TW-RocketRF JOPTUNES 4.00 / 5.00 May 01, 2013
TWRocketODRF TW-RocketOD TW-RocketODRF JOPTUNES 5.00 / 5.00 May 01, 2013
TWRocketODH30 TW-Rocket TW-RocketODH30 JOPTUNES 5.00 / 5.00 May 01, 2013
TWRocketH30 TW-Rocket TW-RocketH30 JOPTUNES 5.00 / 5.00 May 01, 2013
TWRocketCRRF TW-RocketCRRF TW-RocketCRRF JOPTUNES 5.00 / 5.00 May 01, 2013
TWRocketCRH30 TW-RocketCRH30 TW-RocketCRH30 JOPTUNES 5.00 / 5.00 May 01, 2013
Marsh JTM50121-M75 JTM50BF JTM50BF JOPTUNES 5.00 / 5.00 May 01, 2013
Marsh JTM50121-LD JTM50BF JTM50BF JOPTUNES 4.50 / 5.00 May 01, 2013
Marsh JTM50121-30 JTM50BF JTM50BF JOPTUNES 4.00 / 5.00 May 01, 2013
Marsh JTM50121/57 JTM50BF JTM50BF JOPTUNES 4.50 / 5.00 May 01, 2013
Marsh JTM50121 JTM50BF JTM50BF JOPTUNES 4.67 / 5.00 May 01, 2013
JTM50Drive JTM50 JTM50 JOPTUNES 4.50 / 5.00 April 04, 2013
JTM50BlackFlag121 JTM50BF JTM50BF JOPTUNES 4.36 / 5.00 April 04, 2013
JTM50BlackFlag JTM50BF JTM50BF JOPTUNES 4.45 / 5.00 April 04, 2013
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Time domain effects
Phasing (0 - 3 MS)
At very short delay times, of between 1 and 3 milliseconds (ms), and when the delay is heard alongside the original sound, an effect known as Phasing may be created. Because the delay time falls within the length of time associated with audio waveforms, various cancellation and summing effects can be heard between the two sounds. These are more phase related effects than straightforward repeats.By using modulation to vary the delay time, complex phase differences between the source and copied sounds are created and the sound "sweeps" or "turns inside out".
Flanging (3 - 13MS)
Longer delay times of between 3 and 13ms give the more coloured tonal effect called Flanging.Chorus (13 - 30MS)
Chorus is similar to vibrato but with equal amounts of dry and effect signal mixed together. The idea is to create the effect of two instruments playing together with subtle time and pitch differences.ADT - automatic double tracking (15 - 35MS)
A single copy can be used to thicken and strengthen a sound, particularly a lead vocal. To prevent the effect sounding too mechanical when applied to vocals, apply a little modulation.A delay of this length may also be used to transform a mono sound into pseudo-stereo by panning the dry and wet signals to opposite sides of the stereo field.
Slapback (70MS)
At this delay time the repeats become distinct from the original sound an effect known as Slapback is heard."Conventional" delay effects (70MS +)
Longer than 70ms more conventional delay and echo effects can be produced. It is usual to time such affects according to the tempo of the music.Suggested settings
Delay time Feedback Modulation
Width Speed
Phasing 0-3ms A little Lots Slow
Flanging 3-13ms Lots Medium Medium
Chorus 13-30ms None A little Medium
ADT 15-35ms None A little A little
Slapback echo 70ms None None None
Conventional delay 70+ms Optional None None -
One particular sound? or all of them?
Is there also a keyboardist in the band, and/or a second guitarist?
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Does it click when SPDIF is not connected?
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Do you have any other MIDI gear in your live rig? Are you a guitar synth user?
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Try assigning Pitch to the pedal - pedal range 0 to +2, and 0 to -2
Or, try using Ducking with the Pitch effects to only have the effect when you play hard, and no Pitch when you play lighter.
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Will is right - The below is as close to Master Volume as you can get:
All volume choices use the same CC number - you assign which volume to control in each Rig. Or, you can turn pedal control of volume OFF.
Post-effects:
Right after the reverb. At this position you control the overall volume of the sound, including reverb and delay tails, that can instantly be attenuated. -
If so, have fun with it Karl! If you are using them both, woohoo!
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Karl,
If you want the sound of real people playing bass, cello, viola, violin, you would need to use the Roland GR55, Fishman Tripleplay, etc.
But there are some profiles on the Rig Exchange that sound similar to 1970s/1980s synthesizer sounds. (Thanks for the compliments, Ingolf!)
Look for Touchlayersyn and Ensemble synth.
And, there are two older profiles that may be useful.
VoxcelloDoosynth and Vowelotron2 were put on the Exchange last December - they are also the last two sounds in the Soundcloud collection.
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Deny,
You're welcome - thank you for the details on what you found in your MIDI controller
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Torcuato,
Since this is not a "Bug", Please change the Title of your first post to "Master Volume Questions"
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+1 to Guitarnet70
If George Benard Shaw was still alive:
"I learned a long time ago to never wrestle on an online message board with someone who is emotionally attached to their consumer choices. You both get dirty. And, besides, the emotionally attached ones enjoy it" -
Trazan is right about early reflections diffusing small amounts of delay. That's why everything sounds so different onstage at an outdoor gig. No "amp in the room" feel, because there is no room
I think the biggest difference in "feel" between a regular amp and a monitor cabinet is because the sound from the monitor is literally "in your face". If you aim a regular guitar cabinet at your head, it doesn't feel the same, either.
BTW - A shredder with 96ms latency would have to play a 1/4 note ahead of the beat at 156.25bpm LOL!
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If someone doesn't want to duplicate sounds on recordings, that is their choice to make
You can edit existing profiles - the more you do it, the easier it gets
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Try them out - make them better, and post something else
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You, sir, are a scholar, and a gentleman