Posts by rbrachmo
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Just bought it and played around with a few of the profiles.
Absolutely amazing, especially the performances!
Thanks ?
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Tried a variety of solutions, I played a few years with the DXR10.
It was OK, but I was missing the typical guitar cab sound.
Now, I’m using the Blueamps Spark and that’s simply the best stage sound I ever had.
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I'm still using a Thon case for the old Line 6 FBV, that I've also been using with the Remote before.
Same for me ?
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Should I stay or should I go??
Rig Manager suggests me to update my Profiler Stage to version 7.0.0.14827.
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Hi JVDW, here's a sound sample from the profile I use for MFN:
External Content soundcloud.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.I'm currently using a Profile from Guido Bungenstock (Mars Jubi Lead Hi).
Settings (Ampl.): Definition 2,4 / Power Sagging 0 / Pick 0 / Comp 0 /Clarity 0 / Tube Shape 3,3.
Gain: 6,4 / Bass: -1,0 Middle: 0 Treble: 2,7 Presence: 0,9
Very important: (Fixed) Wah
Manual: 4,6 / Peak: 3,9 / Pedal Range: -10% / Peak range -46%
Sorry for the mistakes in the clip, I'm not very good when it comes to pure finger picking ?
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Das Problem kann ich auch bestätigen.
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I don't have a clue... never played a R8.
As it seems, it's build to MK's specifications, and, in my opinion, he has a very distinctive and gorgeous sound on his original '58 LP. All original bursts are very different...Nevertheless, I'm very happy with this guitar. Perhaps, it's all about psychology... this guitar made me play with my fingers, something I usually don´t do. But here, it seems so easy and smooth to generate different sounds and colours...
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My new Gibson Les Paul 58 Mark Knopfler came to me last saturday! A wonderful piece of gear!
The most important: Here's how it sounds:
Used a JTM45-Profile from the Amp Factory (AFUM-JTM45 C1 BB++).
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... zum Pfeifen: Gain oder Distortion Sens. zurücknehmen oder generell Profiles mit weniger Gain benutzen.
Hatt ich auch, besonders, bei Sounds die ich zu Hause gebastelt hatte und bei geringer Lautstärke gut klangen.
Sounds mit wenig Gain klingen bei Zimmerlautstärke generell saft und kraftlos - auf der Bühne bei voller Lautsstärke geht dann aber die Post ab. -
Bei Solos schalte ich per Remote das EQ-Preset "Cut the mix" + ca. 2db. hinzu.
Bin dabei schon öfters böse vom Soundmenschen am Pult angeguckt worden -
Yes. Remote fits in the Kemper bag, on top of the KPA.
My Morley Bad Horsie Wah fits in the front pocket. Cables are put in the outside pockets. -
Don't have my KPA here to verify, but did you try to uncheck "Autoload Performance" in the system menu?
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Voilà ...
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Got my Camplifier 290 yesterday. Extremely well built and rock solid.
I tried it yesterday during a rehearsal with our band (very LOUD drummer): with the output set at a 1/3rd, allt the other guys were complaining that I had been way too loud -
Camplifier 290 with a Montage speaker cabinet loaded with a Celestion Creamback.
Very light and transportable -
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Perhaps a dumb question, but is the USB cable OK?
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Did you try a system reset? Sounds like a software problem.