any suggestion settings for zendrive?
Posts by Vinny
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What I tried to show is that the Kemper Drive certainly gives lots of flexibility for a Tubescreamer style/category pedal ... but it isn't one stomp that can cover all flavours of overdrive pedals, because it can't.
What features would you like to see Kemper add to the KD so that it can cover more flavours of overdrive pedals?
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Watch the video I made and posted today. There you'll see.
i watch the video. thank you for taking time to do this. it looks your conclusion is the KD is only capable a tube screamer drive. And the available parameter cannot change this. If yes then what paramater need to be added to KD to recreate other pedal beside the tube screamer?
also you tested the powerboost pedal to eq the Klon pedal. But did not do the same powerboost pedal to eq the KD. Is that different result?
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Have you seen this italian guy in the other video trying to compare his Klon to the Kemper Drive presets? Just listen to his sound and switch to the video I posted, back and forth ... then you'll understand
It's a galaxy of a difference.i see your point, thank you for sharing the video. The Klon pedal sound great yes. What parameter need to be added to the KD to get more closer to this tone?
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Check that from a guy who knows how to use a Klon and see how the difference is massive. Huge, warm low end and still open and all "forward". Don't buy a Klon and try to make it a Tubescreamer. Wasted money.
Either indulge in an hour long Klon demo or just watch from 15:16 for a quick rendezvous with what a Klon actually does.HI, regarding this "Don't buy a Klon and try to make it a Tubescreamer. Wasted money"
I dont understand. What is the point of this comment? How do you make a Klon a tubscreamer?
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I 100% agree with you. And what you describe is exactly what I do since 8 years ... and likely continue to do with great pleasure. Real pedal(s) in front and the world is good for me.
But apart from that being said, I'm still curious enough to try new stuff to see if it gets me where I want.
Let me keep this post short for a change and just link a video snippet (from 1:26 to 2:05) that quotes Bill Finnegan himself and what he had in mind when he made the Klon .... and then I think everyone will understand why I kept using the term "openness" which is quite the opposite of what a Tubescreamer (and the Kemper Drive) actually does.
i am late to this - has anyone done a blind a/b test between the KD (KO) Klon presets and the real Klon or even clone? And correctly guess the real thing? Are they close or very different and distinct?
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So, please let's discuss the KPA here, I love the KD, and I hope there will be a second KD, which would be the Kemper Distortion. And of course a KF, with octaves function (all-in-one). Then comes the KC (compressor) with different flavors... Hmmm... I see a trend here.
in that case this Beta for overdrives should be the "KO" no?
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this 8.0 is great. and maybe just beginning... what next? maybe the Fuzz? top off with the Feedbacker?
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the long awaited and highly hoped for...drum roll...............metronome. (tic tic tic...)
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so on your Boston set do you use the Kemper effects to create the hyperspace effect? Or have to use a separate effects pedal for this?
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You need a great fuzz which the Kemper cant do imo. Not only is the fuzz on the kemper not great but I dont think the input impedance matches what a fuzz face actually is.
I hope the Kemper team are looking at this for new overdrive/fuzz
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As far as folks saying "you have unlimited amps, why do you need more OD flavors?", I have a few select profiles I use consistently, but sometimes you just wanna "goose" them a little for more breakup in a specific way.
If those folks have a way to dial in a authentic sounding fuzz please share
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are there factory preset for the acoustic sim? Or will there be?
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are presets available for the acoustic sim?
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I had something like this happen before. Do you have open cable connected to any of the pedal inputs with no pedal on the other end? Check for connection that may cause this issue.
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For the style you describe - the Scuffham S-Gear.
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You mean like this one (that's out for delivery today
)?Nice! Do share clips/profile of this!
I believe for his tone back in that 80s-90s era he used mostly a 100W Marshall Plexi.
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They do a nice job to use the delay to make up for the limit with the legacy verb. Could this be possible now with the new verbs to get this same kind of cloud effect. and not to depend so much on the delay?
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+1
and yes i have watch the tonejunky. i cannot find any example to recreate the Strymon cloud.
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George Lynch - Dokken, Lynch Mob era
