Thanks for the kind words. I'm trying to be better at documenting the amp settings and recording setup without being TOO crazy about it. I think I've found a format that works pretty well, but if anyone has suggestions or ideas I'm all ears as long as I don't spend more time documenting than I do profiling.
Hi,
Your email button/link dosent seem to be working on your page, Ive got a few questions, may I have your email address?
I will definetly check your profile out. Your recording chain sounds great! Do you plan to profile more amps?
I probably will do some more profiles. Right now Im in the middle of a producing a new record, so it will probably be after I wrap it up.
all the best.
cool, glad youre digging it.
Im learning more about the profiling process, and have improved this one by doing profiles with various pre amp settings. so if I need more or less gain, I just load the appropriate profile. To me it sounds more like my amp as opposed to using the KPA gain to change it.
thanks again guys for the positive feedback.
best,
Sean
Are there demos on your page?
Hey Guys,
Thanks for checking out my JMP profile and for the 5 stars!
Much appreciated.
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Now try to reamp some KPA profiles from one source DI track - you will end up with random phase shifts. This means the two or more reamped tracks will not be in phase and randomly change their sound when mixed together!
You can record a DI track and a profile sound tracks via SPDIF at the same time on the left and the right channel. Try to use the DI track to reamp an additional KPA profile sound. It won´t be in phase to the initially recorded track.
(interesting question: are the left and right channels in phase? I have to test it....)
Hi,
Im having similar inequities when using the digital I/O, and Im thinking it comes back to no way to properly clock the KPA.
I did not read all 6 pages of this thread.
But IF your complaint of phasing is when you trying to reamp a number of tones from the same DI signal, and youre doing it all digitally, it may just be the fact that there is no way to clock the KPA when sending the signal back to it via the SPDIF input.
When using the KPA in the digital realm, the "pitcher and catcher" are not truly synced like the way they should be in a professional, digital studio.
Just because a user is not getting loud clicks and pops, the overt artifacts associated with a poorly clocked system, dosent mean more subtle problems arent occurring.
Like the problems Im getting, and I think the OP is having as well.
all the best.
Will this work with Apple stuff?
thanks
thanks will check it out
cool!
Hi Guys,
Heres my first dip in the profiling pool.
its titled:
SM JMP P90
Its my trusty JMP MKII.
The recording chain is:
Gibson invader with Fralin p92s, bridge position
Marshall JMP MKII
Marshal 4x12 TV cab
SM57
Neve 31102 mic preamp
Radar 24 w/nyquist convertors to PT
SPDIF to KPA
all cabling Canare.
hope you get some use out of it!
Best,
Sean
