You should also go for minimum 48KHz or more.
High gain sounds have a lot of high frequency in the spectrum , if your sample rate is low you will hear digital fractals wich makes it sound awful.
My best result for recording is 96KHz but your PC must have the power to handle this amount of incoming data.
Best
Not, he needs. Upsample, sense not make. 44.1kHz, more than any cabinet, for guitar made is, sampling frequency will cover.
You can connect your 6i6 to the iphone with Lightning to USB Camera Adapter, no?
Set your desired loudness with the level control on the k10.
Use rig volume to balance your rigs. Leave it around 0dB. Same for output volume, or a bit lower...as you probably want to turn up during a gig 
You need a class compliant audio interface with coaxial s/pdif.
Here's a list of CC interfaces:
Can't see that this has anything to do with quantisation or aliasing. Sounds somewhat like crossover distortion. You may find that in real amps too.
If you're gonna do a super job, use a mic. Just about any mic will do a better job than any pickup/simulation. Just experiment with placement. 25cm outside of 12th fret, pointing at the body, is an old standard.
Same here. Deleting cookies didn't help.
...the EQs in the Main Out and Monitor Out sections would be getting updated to at least include High Pass and Low Pass filters. Would it be appropriate to make them fully parametric instead?
For the Monitor out, yes 
One really needs to be able to tune backline depending on speaker/cab, location etc. Proper tuning at FOH should take care of the Main out.
However, output eq is very different from the stack eq. Output eq only affects a certain output, and applies to all rigs. Rig eq applies to all outputs, but only the selected rig.
It's not so much the width of the box, but rather the height. Methinks. I fooled around with the css, and it helps a lot reducing that height on my macbook 13". Again...methinks
vs:
Also, since the Monitor Out is unbalanced, the signal is 6dB below XLR outs. And, depending on input sensitivities in you monitor, loudness may vary considerably. Make sure to compensate for the differences before comparing.
You're putting too much into it, Sharry.
Quoteguys, the colors are the same. if we find time, we'll get you a dark scheme so everybody can choose. i've said that already
Picture that said with a friendly face. Or picture it with a sour face. Up to you.
Not everybody use smilies all over the place 
there is more space in between the elements.
Way too much space over here. It's much faster to navigate fixed elements with the eyes...Now I have to constantly scroll everything 
Yes
Huh? And your headrush isn't blown to kingdom come?
With Clean Boost dialled down, do you still go into red on the input led? If so, the signal may just be too hot for the Kemper. If you find the sound is still ok though (no distortion or unpleasant compression), just put a pure booster in slot A and turn it down to taste.
For any long runs from passive guitar pickups the difference in cables can be really noticeable. Cheap ones knock a lot of high end off. Swapping to a quality one is like taking a blanket off your speakers.
The difference you heard is capacitance. High capacitance will knock off high end and move the resonant peak to a lower frequency. It's not a matter of quality or not. Both expensive and cheap cables can have high capacity, or not. For short runs I'd often prefer a cable with higher capacitance.
Getting some nice Steely Dan sounds from your Kemper, Weedy!? 
I understand what you’re saying Jimmy, but in my scenario, when the sound guy is screwing up my tone, it comes right into my in ear monitors and my playing suffers because of it
Just make him split your guitar to another channel on the desk, and send that one unaltered to your in ears.
So I choosed one (believing it was better than the other). Only to find out later I switched off this effect globally. So I couldn't have heard any change, but only because of my mindset there should be a difference (from which I had to choose) I heard a very subtle difference and I actually choosed... (embarrassing experience)
Happens to me all the time. Thinking I'm hearing something because I'm expecting it. Clients are worse though!
I had one client sending me first and second pressing of a cd. She didn't like the second pressing, and wanted me to do adjustments (eq/balance etc). I checked the two cd's....bit identical. What she was reacting to was the slightly different design/color of the second pressing. Funnily, she preferred the cover of the second pressing but the "sound" of the first.
I don't trust anecdotes, including my own, in these matters. Humans and their emotions are involved. Hail science! 
No!!! you got to be kidding me… OHhhh, now I have some more listening tests to do… I thought they were all the same and all reacted the same and that they were all in the same spot in the signal chain
They will sound exactly the same. Except for the volume in the amplifier stack, which may act differently if you place a non-linear effect in the Effects section.
