I don't understand why everyone wants a looper,
then it would be many other interesting things to ask :
- spring reverb
- reverb IR
- space effect
...
I don't understand why everyone wants a looper,
then it would be many other interesting things to ask :
- spring reverb
- reverb IR
- space effect
...
QuoteAnd let's not talk about the rubbish you can download from Line 6's customtone.com
Sure.
A good idea, but not so revolutionary.
This is what Line 6 have a long,
but here, no one dared to ask.
If users want to make loops, there is computers for this.
This effect move away from guitar.
For me it is not a priority.
A spring verb is more important.
Looper is useless.
Kemper MkII :
- bigger and color screen ;
- parallel profils ;
- And a grid like on the axe-fx ;
- Reverb Impulse Response ;
- Space effects to place the signal on virtual stage.
- Internal rig/profil editor and rig/profile management ;
- Internal MIDI editor software ;
...
Everybody knows, it doesn't exist.
The KPA is a pream, it preamplify the signal.
the signal has already been preamplified.
Check you don't add any gain on the Roland M400 up.
Error except from me, you must connect your jack to the M400 "line" input, without adding gain.
With a good software,
everyone could put functions where he wants.
and even without a sofware.
QuoteA separate profiling process would definitely kill what the Profiler excels at most: the dynamic interaction between the power amp's transformer and the cab, which is where component-based modelling fails.
IOW, amps and cabs sound differently depending on what they are connected with, and modellers can't pick the real differences.
The Profiler has been conceived in order to ensure the most faithful reproduction of a rig: consider swapping cabs a huge bonus
Note that you can already profile an amp via a direct output; it will sound different tho. You can also profile a cab, but you'd need to drive it with an amp anyway: that is, by definition, a device able to supply a huge amount of current at its input in order to create great enough movement in the cone to move enough air to have us hear something
it just shows that the interactions between the amplifier and the cab are still unclear.
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Sorry,
I'm on strike.
And If you modelise or profile a really lacerated guitare speaker,
It would be good too.
QuoteIs the parody show going on?
I assume it would help if you specify what kind of reverb you mean by glassverb. I didn't find any explanation what this could be...you don't mean the glaceverb plugin to be implemented, do you?
A very cold reverb (like an ice reverb).
Listen to reverbs from the glaceverb plugin, it's exactly like this.
Glassverb.