It became more apparent since I began to use FRFR-Monitorboxes (I usually use RCF-Monitors and I'm really happy with them and can realize my sounds at every level very well -when I got the time to do so).
I also don't get any complaints of my bandmates, the P.A-guys or the listeners of a venue. They also don't really understand me.
I seem to be the Problem !
I often don't feel satisfied compared to my sounds at home or during our rehersals.
I don't play with much gain, so this also might be a reason.
For live Gigs I sometimes have to rise my Level about three times as high compared to our rehearsals and then the attack becomes very boomy and also the heights get an annoying ice-pick.
I got an old Deluxe Reverb with a Weber Blue a Two Rock Cust Rev Sign II with 2 Celestion Heritage and a Two Rock Studio Pro Plus with Scumback Speakers and
It's my experience that these tube amplifiers behave differently when being cranked (I don't have to correct sp much on the amp-EQs to compensate the loudness-effect). So -reading my own words- maybe it's not only the FM-effect but then it seems to be a different behaviour of the KPA.
To cut things short: A somehow "dynamic EQ" would solve my Live-problems (or a more differentiated Overall Grafic Output EQ f.e. 10 bands)