Posts by mattt67

    Thanks for your replies


    if you want to use the same assignments for each slot in a performance you can simply use the lock function


    Yes, the lock function is a workaround but it only works if you use all your stomps with the same settings, in my case I don't have the same delay or boost settings (for example) for a clean or a distorted rig.


    At the moment you are the first to request this as far as I know.


    Well that's funny as it's really the first thing that came to my mind when I first used the remote. Again, everytime you change a rig, you have to assign the stomps again and then save...


    Everyone has different stomp boxes. Every Rig in a Performance can have different stomp boxes.
    Perhaps you want a different order. E.g. Booster before stack or after stack but always at the same foot switch.
    How should the system know which stomp box of eight has be to assign to what remote switch.
    How do think this can be solved, if you do not have free choice of assigment.?


    By creating (user) presets, hence the title of the thread.


    Of course versatility is great, and if you want to have different stomp boxes for each rig, that's fine, but I like consistency, especially for live use, so all my rigs are organized in the same way, comp, wah, boost, od, eq, mod, dlay, rev, and I just switch the boost, od, mod or delay on or off. So in my case these presets would make sense


    Lastly there are presets for eveything on the kemper, for the input, for your stomps etc so why not for the remote?


    ++

    Hey Raoul
    Thanks for your reply. Yes, I agree, its quite quick to assign the buttons, but if you assign the 4 buttons to 5 performance slots, that's 20 operations for 1 single performance...
    Like I said, I had a fcb1010 with U4K; it lacks flexibility, but at least when you've created your performance, you're good to go, you don't need to assign all your fx buttons again.
    Shall I make a feature request, or am I the only one here?

    Hi maybe I'm missing something, but are there any assignment presets for the 4 Effects Buttons?
    Before getting the remote, I had a fcb 1010 with u4k. I use all my performance in the same way, button 1 for slot C,button 2 for slot D, button 3 for slot X and button 4 for Delay.
    With the remote, it seems I have to assign the FX buttons to every rig in every performance. The operation is easy, but it is quite tedious when you have over 60 performances. It would be so much simpler if there were presets for the Remote.
    Am I missing something?
    Thanks

    Hi
    The only merged profiles made by mbritt are the free ones that you can find on the Rig Exhange
    (they originally came out with the 3.0 FW, but then I think Michael redid them and posted them on the RE)
    ++

    Hi guys
    I'm selling my Behringer FCB 1010 with Uno4Kemper chip (1.3)
    Works perfectly, mostly used at home.
    Comes with 2 midi cables (5 meters), the original chip, and the Glow In The Dark stickers (never used)
    Price: 100 euros
    I'm in France, near Strasbourg, but I can ship
    PM me if interested. I can also send pictures if needed
    Thanks
    Matt

    Hi Jimi
    Thanks for your work on the Trainwreck; this amp is a monster of gain, isn't it?
    I just have a question:
    The TJ Twreck low 3 and TJ Twreck low 3M profiles sound different when played through studio monitors, which is not the case with the other studio and merged profiles. Could you please check if something went wrong during the merging process?
    Thanks
    ps: I'm not a 100% sure about the profiles names as I'm not in front of rig manager, but it's the profiles with the least gain

    Hey JerEvil
    I'm sure you're gonna have loads of fun!
    As some others have stated, things might take longer than you'd expect, as you need time for the setup, mic placement, testing your profiles vs the real thing etc... I recently spent the afternoon in my brother's studio, and we made about 12 merged profiles.
    So my advice is to take your time to make a few profiles that you love instead of hurrying to make the maximum number of profiles



    Hey
    Please someone correct me if I'm wrong, but I thought that in order to make accurate merged profiles you needed to do the studio profile and the direct profile with the same settings on the amp (so during the same session). Merging direct profiles that you've made in your rehearsal space with a few well captured studio profiles in the studio will not be really accurate; am I wrong?


    thanks

    Same here!


    Up to today we offer studio profiles only - because these profiles played via FRFR are the closest to the real thing.


    Personnally, I don't agree with this. When playing with my band, or alone just for fun, I feel closer to the real thing with merged or direct profiles and my guitar cab than with frfr.