**Has anyone else wondered if there would be any benefit to setting the new Kone firmware to “EVM12L” while playing through an actual EVM12L?
I can only imagine the contrary. As C Kemper has said that the Profiler uses DSP to flatten the response of the Kone, the imprint must be built on top of that adjustment, meaning the imprint/EQ profile applied to the monitor output would take in to account the idiosyncrasies of the Kone’s natural response. It would be like using room correction software for a home studio and then EQing a guitar for a mix made in that studio, then taking that mix someplace else including the room adjustment and applying the same EQ to a guitar recorded in a completely different studio and space. That made sense in my head, at least hahaha