But a dedicated modeler user that can't swing an Axe FX II or Kemper can now get top notch tones at a lower price.
I'm not entirely sure AX8 will be cheaper than the Kemper in Europe...
But a dedicated modeler user that can't swing an Axe FX II or Kemper can now get top notch tones at a lower price.
I'm not entirely sure AX8 will be cheaper than the Kemper in Europe...
Ooooooh, fanned frets!
How are they to play? Did it take you some time to get your head around them?
I have a fanned fret acoustic (Avian Skylark) and it's truly a joy to play. In all honesty I don't even notice the frets are fanned (only a 25-25,75 fan though) yet it plays more comfortably than any electric.
Which is why I'm taking a hard look at Skervesens now
So are we talking AX8 here or FX8?
Let me say that my favourite guitar is that one I'm going to buy...
Oh man that's so true... I'm waaaay too fickle with guitars...
Might have something to do with the Helix coming out in a few days. A lot of folk seem to find it (at least in theory) ticks many many boxes for them.
499.- Euro are a lot of shoes? Uhm... no.
Sadly, I have to agree. Where my wife shops, that's not even one shoe...
And no, I don't own a Remote... after all the shoes are bought, there's not enough left to cover anything but a fcb.
Or maybe offer private downloads/links and payment through your paypal account?
I'd like to see this happen, too.
Just because the cable is good for other purposes doesn't mean it's guaranteed to work with the KPA. Been down that road many times.
Also, check whether you're plugging into a USB 2.0 port or a 3.0 port. Back on Win7 I got all sorts of issues when plugged into an USB 3.0 port and on Win10 it's even worse.
In my case, USB 2.0 port and a cable as short as possible were necessary for a dependable RM-KPA communication.
Agreed.
Mostly about this
but there has to be a fair amount of credence to the review as 10/10 is one hell of a bold statement.
And especially about this
Mind you, Guitarist Magazine were also waxing lyrical about the 2015 Gibson range, and look how that turned out
Not really... there's varying degrees of potential marketing income on various product lines. All I'm saying is they'd be shooting themselves in the foot by not at least sugarcoating some shortcomings of various items they get for review.
Do you think this thing really is a 10? That it's as good as amps come these days?
I'm not saying it's not a nice amp. But a 10, at that price?
Well... every guitar magazine out there knows perfectly well which side of the bread is buttered...
If you want/need to go cheaper yet still good, I've had good experiences with Moog EP-3.
I'm sorry, I just haven't had the time to plug in the last few days and try all the suggestions. The life just got the better of me.
I will get to it soon and report back.
I'm just trying to be as truthful to my experience and personal opinion that I'm clearly presenting only as a personal opinion no more no less in an honest and truthful discussion about equipment.
Our own personal disclaimers seem to be getting longer and longer these days...
In all seriousness, would you mind if I used this as my sigline?
Congrats on the new pedal. OH! And as far as the LEDs, if you're handy with a soldering iron, just add a couple resistors inline (2.5K should help tone it down a smidge, much more might be a little dim, but you could always inline more than 1 for less brightness).
Ditto. That's why I always put a little trimmer inside all the pedals I build. Some people enjoy the eyescorchers (mostly ones that play outside a lot) and some like it tamed down.
As stated, if you've ever soldered anything, adding resistors to leds is a piece of cake.
I'd say the clear winner for the more modern sounding material was the Hedgehog, with the Pink Taco and Dirty Shirley rigs coming in a close second. The Ceriatone, Vox, and Victoria rigs were ideal for the older material.
So basically you couldn't find the use for the Marshall at all?