OK, no sweat to not like my guitarsound SinMix, I like honest people
Altough I doubt very much that this is just a matter of panning the guitar to a different spot in the mix, the Kemper just lacks that breathing air that a mic'd recorded tube amp does have, no matter where it is panned. This is what I already said myself of couple of comments above, in the other recording it is way more noticable than in this one. I got a PM from Andy and agreed with that and gave me some options to get this improved.
But this is not out of the box Kemper funtionality and not how it was designed to work, because my setup was according the manual the setup for the best sound (just stereo on main outs to FOH and not mic'ing the cab). I hate playing FRFR so that's no option for me and will also not improve the recorded sound obviously.
So resumé; this sounds to me that the Kemper is not really suited for live multitrack recordings (live cd's) without adding extra air. I tried the space effect this weekend but that made my cabinet sound more wacky like it also effects the effects too much, it gets muddier.
The guitar sound in the hall was very good though that night of the recording above. Even the multitrack engineer came to me asking what I was playing on because he liked the sound of the Kemper very much and said it was very usable for recordings.
So something is missing here...maybe I'll pop up to to FW3.0 (still on 2.5) and see how it all goes with direct profiles and just micing the cab old school again...maybe then just also use my stompboxes (which I kept!) in front of it hoping on a more real and less direct sound for recordings.
But this seems to be a little bit out of the original Kemper concept of playing pre-recorded amps (old school profiles), doesn't it? Is this where Kemper is heading to and will they in the long stay away from the profiles as we know them?