I thought me Mrs was complaining again.
Posts by spottydog10
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It IS that complicated when somebody changed some of the cabling at the back of the mixer and didn't tell you...:)
Hence the EQ'ed mic signal wasn't being sent.I did the profile fine and it probably got me 75% to the sound I was after. I've pushed the output level on Ozone but cant get it any nearer.
Think I'll try it with a couple of different amps rather than the JC, I have a Marshall and a Vox knocking around which should be closer.
Thanks for the help tylerhb.
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tylerhb, here's what I did.
I have a piece of guitar (the tone I want) on a track in Cubase.
I record me playing with a similar guitar sound on another track.
I match the sound with Ozone (it works great). I now turn on monitor in Cubase on that track with the Ozone match on and route the mic to that track.
I profile as above with the routing:Guitar-KPA, Direct send from KPA to Amp, Mic/Mixer out-Return KPA.
BUT I also have my KPA SPDIF going in to my audio interface separately. Is this where I am messing up?Thanks.
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Well, another failure!.
I'm using a mesa dual as the start profile in the KPA and connected everything as above but I'm all I am getting is a profile of my JC 120.
Am I trying to do something I cant do?? -
Thanks Michael:)
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Hi mate.
The first 4 steps I'm OK with it's the profiling that is puzzling me.
I only have mics that need phantom power so I have to go through a mixer.So: Guitar-KPA, Direct send from KPA to Amp, Mic/Mixer out-Return KPA
Do I put the Ozone matched curve onto the input channel in Cubase and press the monitor button and then route the mic into that?Thanks.
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tylerhb, I eq matched a guitar sound with Ozone and it was bang on.
In one of your other threads you described how to profile the eq match out of a DAW.
I did try this but maybe I don't understand correctly because it didn't work for me.
Would you mind explaining again (simply!) the steps please?
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I don't understand - but I'm impressed.
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@Andy
"but also they have a "click" in the bass drum to compliment the timing of the guitar, im guessing around 600 hz to once again make the guitars a bit bigger in chorus."Do you mean the guitar is triggering the bass drum or am I misunderstanding?
Ta
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Got it...
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I have one and therefore it is the only proof I have, so - I guess one
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Anyone know how to manually input a tremolo speed?
If I keep pressing the tap button it displays the bpm but wont let me input it, ta. -
When you say you mix "very broad stroke, short-cut approach" what does that mean in your case?
I'm always trying to improve my mixes and yours have a good sense of depth, any tips? -
Thanks for the assumption
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I have been through the Bass rigs and thought them a bit ordinary.
I ended up opting for EBSmicrobass 2 preamp, bit of comp and eq has done the trick.
Thanks for the help guys.
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Excellent, do you do your own mixes? Very high standard.
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AT 1.44 is the sort of sound I'm after (I don't have the active though)
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@Paul new strings -no (roundwound) tones both turned up and all combinations in between inc each on their own.
@don yep, I've been equing the hell out of it on the KPA. It's a bit of a pain not being able to play some loops (I have no remote) to do it.
It's tiresome having to cut or boost an eq, then play a bit then cut or boost ad nauseaum unless I'm missing a trick?
Thanks -
PS, I seem to have tried all kinds off bass profiles and pre amps I'm seriously wondering if it is the bass itself, bought it brand new though.
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Thanks Don, the gate did the damping trick.
Still cant get what I want though which is a clearer less woolly bass.
Dunno if it's the bass itself (Fender Jaguar)
It's so woolly I could knit a jumper with it.