same issue here...
Posts by FlyingSnowman
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The Yamaha mixer looks like it is digital. In that case you should expect additional latency to be introduced.
Please check without the mixer in the chain.Thank you all for your help. It is indeed the Yamaha mixer. Took it out and it sounds much quicker. Will get a powered mixer to see how that sounds before I invest in the Yamaha DXR12.
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Are there big differences in distance from the listening position to the two different speakers? The delay might be a different distance, travelled by the sound waves.
It's in the same room, close to each other
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You can record to DAW from MAINS OUT and MONITOR OUT - to check, if it is all equal there. If not equal - then you're in trouble
Then connect powered speaker (if you have, or this Yamaha hifi amp) to MAINS OUT and 1x12 cabinet to SPKR OUT of poweramp. Any delay?Then add mixer to this configuration and try the above procedure.
I don't need a DAW to prove it, I can hear it without having to visualise it
I will try without the mixer and see if that's the source of latency. Don't have a powered speaker (yet)... -
What Yamaha mixer? Any additional digital conversion will add latency.
A Yamaha AG06 : http://usa.yamaha.com/products…ction/interfaces/ag/ag06/
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Are you sure that this yamaha mixer does not add latency? Can you record audio from MAIN OUTS and MONITOR OUT to audio interface to some DAW and then compare my miliseconds?
It would surprise me about the mixer but I can do a test connecting the Main Out's directly to the Yamaha hifi amp.
It's not really the Monitor Out (I will change the title of my post) - it's the speaker output of the KPA built-in power amp to the connected 1x12" speaker. That signal is quick and normal. But the Main Outs are slow.
Difficult to record onto a DAW since it's a speaker out... -
I hear a delay in the Main Outs compared to the speaker output of the KPA built-in power amp. I have a powered KPA with a 1x12" connected to the Monitor output. The Main outs go to a yamaha mixer, then to a hifi installation (good Yamaha amp + good Klipsch speakers). It's like an attack delay when I pick a string, quite annoying...
I'm a bit afraid of this because I'm planning to buy a Yamaha DXR12, which would be connected to the Main outs and maybe would have the same problem.
Any settings I should check? Any suggestions?
Cheers
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Thank you KPA team! This is incredible. I can sell my Timeline now
One question... has anybody been able to change the pitch of the delay signal like Eddie Van Halen did with his Memory Man on the end of ERUPTION ?
I'd love to do that with an expression pedal hooked up to the Remote, or even with Morphing... -
+1 for this idea. It would be nice to have the possibility to assign profiles to a custom category, and organize it to one's preference...
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yep its gone works fine now
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I also noticed that already, but without being too sure yet...
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Yes, but that would mean having the Timeline before distortion as well. The limit here is having one external loop.
Only solution in my case would be to have the Mobius in the front and the Timeline in th (stereo) loop.Yes I agree... I also wished already there was more than just one external loop... Two ideally.
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Not sure it would work for me, as I like my phasers pre-distortion (and sometimes choruses too).
If you put the external (mono or stereo) loop in the A, B, C or D block stompboxes, it should be OK (as long as you put them before any distortion stompbox). But my sounds are also distorted, I like it personally more when it's behind the distortion, because otherwise the effect overshadows too much the real sound of the guitar/amp... but that's just my personal taste of course.
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Mobius in the front and Timeline in the loop or both in the loop?Both in the loop (the Mobius in front of the TImeline), and most of the time in the MOD block. I change the patches on both units with the midi program change command within the Performance slots.
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Strymon Mobius for modulation effects and Strymon Timeline for delays. The best there is!
For reverbs, I still use the Kemper because they're OK for me. I'm not a big reverb fan anyway. -
An automatic double tracker like the concept found in the Line 6 Vetta and the newly introduced TC Electronic MIMIQ would be super awesome.
https://www.tcelectronic.com/mimiq-doubler/absolutely +1!
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I would be massively interested as well in a Ritchie Blackmore DP/Rainbow era sound.
Look in Rig Manager for Marshall Major. I put profiles there some time ago.
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you need a kind hearted soul to profile a 200 watt marshall major
....now if he or she also profiled a 200 watt pig major- i will gladly send them a valentines day cardOK, you can send me that Valentine card I profiled the Major some time ago and put it in Rig Manager. By the way, I installed a master volume, power regulator and took out 2 x KT88 tubes otherwise my windows would have been broken...
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I'm a newcomer here, so could someone be kind and point me to any good profiles for getting DP/Rainbow era Blackmore sound out of Kemper?
I put some profiles of the Marshall Major in Rig Manager. Just search for it. I also found that some AC30 profiles sound quite good to get the sound, and also Marshall 1970 profiles.
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I just gotta say, the Marshall "fredman" 2x57 cabinet has gotta be the greatest cabinet ever put out. I just narrowed down my kemper to nothing but merged/DI profiles ( about 200 profiles) and i gotta say that cab has gotta be on 75 percent of them. From Hays ac30 DI profile, to GRS fender super reverbs and 1987 profiles, to rigbusters Cornford mk 50 DI profiles, to tonehammers, this cab just works and sounds absolutely humungous. Also the greenback can is amazing. I attached it to a DI marshall major profile I found and it was juat unreal: the real Marshall tone. also tonehammers cabs on Marcos/origins uberschall is just the most deadly thing I've ever played. Tonehammer is KILLING IT with the merged cabs!
I'm wondering if that DI Marshall Major profile is mine (I put it out on Rig Manager)? If so, can you tell me which one you used? Did you change any setting of it? I'm always curious to know how people use it to see if I can a better sound. I have a real Marshall Major and found it easier to dial the Blackmore sound on the Kemper than on the Major. Really crazy. Which greenback cabinet do you use?