Posts by stratobobster

Quote from Burkhard

Up to now you cannot specify the receiving MIDI channel of the Player. But this should never cause the Player not to excute MIDI comands. It only causes, that it is executing comands on all 16 MIDI channels ("Omni"). This feature is planned for the next Player OS revision.

I've had many similar problems related to editing performances in Rig Manager. I finally just gave up on the software for awhile, fearful of unintentionally corrupting my performances and rigs. When I saw that the latest firmware release was primarily aimed at addressing sync issues, however, I decided to give it another try. So far, so good.

Just want to add that I've also experienced problems editing rigs within performances. It seems that changes made to a rig in a performance slot are not always saved using the "Store Performance" button.

I've used IEMs for the past 10 years. My first set was Westone, and I now use 64 Audio. I'm a firm believer in the tight seal provided by custom ear molds - the 'universal fit' ear pieces never got the job done for me.

As a long-time Pro Tools user on the Mac, I can attest to the fact that every major OS change (and they are frequent) breaks commonly used industry-standard audio products. It can take months, if not longer to work through the pain. I skipped El Capitan, and will likely skip Sierra as well. The problem for newcomers is that you can only buy a new Mac with the latest and "greatest" OS.

Impressive!

I bought the Manu pack a few days ago. Nice tones...

You'll probably also need to check the clock source for your audio card. Typically, if you're using an external digital input (like the Kemper), it needs to be designated as the clock source.

Keep us posted...

If I'm understanding what you would be trying to do (which I assume is to use the DAW in real time as you're playing the guitar), I think it would still depend upon the speed with which a signal can get into the DAW, processed, and back out. Certainly worth a try.

The main problem I would expect is latency. It could be a significant problem depending on the DAW, computer, audio interface, etc.

Bought these earlier today - really liking them with my strat. Sounded good 'right out of the box'.

Thanks..

Hi:

I recently received my Kemper Remote and am ready to part with my Behringer FCB 1010. It has been gently used and is in excellent condition aside from a few small scratches on the bottom. The controller currently has the Uno4Kemper chip installed. I'll also include the EurekaPROM and the original Behringer chip, as well as the stick-on labels for the EurekaPROM. FWIW, I prefer the Uno4Kemper over the EurekaPROM -- it ends up working a lot like the Kemper Remote.

I'm asking $115, plus $25 for shipping anywhere in the continental US. You can email me for additional information at [email protected]

I've got the same 'rattling' issue. Opened a support ticket. I'll keep y'all posted.

Bob

I've been using a wired system for years, but it's a bit of a one-off kind of setup. I have a small Yamaha mixer that gets a feed with vocals and other instruments from the FOH board. It also gets a direct signal from my vocal mic (via a splitter), and a direct stereo feed from the KPA's headphone out. It sounds great, and I can always get 'more me' when I need it. I run my IEM's (1964 EARS custom fit) with a cable from the stereo headphone out of the Yamaha. Although it's a little bit cumbersome, I'm really pleased with the result, but realize that it certainly wouldn't be practical for everyone.

One more confirmation that proper insertion and a good seal does wonders for bass response.

Thanks for posting!

I ordered a couple of days ago.

1. I like the size.
2. I like the display (and its automatic reflection of the state of the KPA).
3. I like the single cable connection (including power).
4. I like integration with Performance Mode.
5. I like dedicated tap tempo and tuner buttons
6. I like expression pedal inputs.

Thanks Ingolf and viabcroce for the info and suggestions. I may have to just break down and go FRFR one of these days, although I certainly do like the sound of my Mustang III.

Bob

From what I have been able to determine, it doesn't look like I can get a stereo output signal without cabs, while preserving the cabs in the headphone output. Basically, I want to be able to send a stereo output signal (cabs disabled) to separate amps and cabinets on stage (right and left), while monitoring the headphone out (cabs enabled) through in ear monitors. Any suggestions or insights would be appreciated.

Thanks,
Bob