now you can stop looking for gear,, and start playing!!!!
Posts by unclemar
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spdif into the pro tools interface,, no problems,,great tone,,
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its my go to rig,,, try it,,,
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now THAT would be a Xmas Present,,,,
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welcome,,,congrats,,,
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I got a lot of really good info out of this,,, altho a tuff read,, at times,, and,,yes , you can lead a horse to water,,,, but you can't make him put his own saddle on,,,
There were any number of helpful suggestions and explanations as to why there was a difference between the two samples Cedrick posted in the OP, but with all due respect to him, he wasn't open to a number of them. For instance, he didn't like the idea of using a different cab. He also wasn't really open to the idea of tone matching because he didn't want to use tones that have been EQ matched in his projects. Cedrick also mentioned the lack of low-end in a lot of Kemper profiles, to wit I mentioned adding it back in with a Studio EQ. Some (including myself) mentioned that mic and mic positioning play a huge roll in explaining the differences between his original samples, and it was also suggested that most profiles are created by hobbyists while most commercial recordings are created by professionals. Those are just a few examples. Needless to say, there have been some super useful suggestions and rational explanations in this thread. As the old saying goes, you can lead a horse to water...
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just to go between the two speeds, but it's very useful,, I keep it set fast,, hit it,, it slows down,,speed control would be cool , but not something I would use often,,
in the studio , I go back to the looper, and use it, for that,, -
the Morgan AC20,, is SO good,, I went out and bought a 2200 dollar morgan amp for the studio, because of the profile,by- rmpacheco is my go to live Tone, now,,
Please whoever you are , do more, and thank you,,,
The M Britt FTR-37 and his Acoustic stuff are also used every day,countless productions,etc -
I USE THE LOOPER BUTTON TO CONTROL THE LESLIE SPEED,,
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I agree,, I am using gained up amp tones for my overdrive, and isn't that the way its supposed to be, we only started using overdrive pedals when a 100 watt Marshall was too loud to get any breakup,But a Klon and a Timmy/ POT would be a GREAT START,
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Best amp tones ever,, if they get the overdrives as good as they got the delays, Ill be one happy Camper,,
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doesn't matter what ones,, as long as they sound like real pedals and not fizzy,fuzzy,jagged, square wave, noise,,The ones in there now are unusable , at least for me,
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looks fantastic,, why cant the mother ship do something like this if a guy sitting at home can?/
I cant get it to work but it sure looks promising,,, got it working,, holy shit!!! where is this guy,, can we get a go fund me page goin for this??? -
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well said,,how true!!!
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have you tried these guys?
https://shop.katzbach.eu/kemper-profiles/
I get some great straight up Rock tones with the SRV marshall,,, -
Thanks just read Monkey Mans post,, thanks so much,, i get it now,, I never re-amp,,,,
this Place is just great thanks,,,, -
could anyone explain this to me,>> constant latency? not sure what this is about,, what it affects,I have read the posts but still would like a lesson on it,,
Thanks
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at home/ studio I run it into a Morgan 1-12 Abby,,as well into the board direct ,, HUGE tone,,,,I think the open back reall adds to the sound your looking for at home at lower vol,,